References

• 2000Rhetorical Sovereignty: What Do American Indians Want from Writing?285 cited
• 1994Embedded Aesthetics: Creating a Discursive Space for Indigenous Media269 cited
• 2011Reservation reelism: redfacing, visual sovereignty, and representations of Native Americans in film166 cited
• 2011Reservation Reelism120 cited
• 2012Aambe Maajaadaa! Community organizing in Indigenous Communities and Leanne Simpson's Dancing on our Turtle's Back: Stories of Nishnaabeg Re-Creation, Resurgence, and a New Emergence118 cited
• 2013Sovereign Screens62 cited
• 2006Alanis Obomsawin: the vision of a native filmmaker53 cited
• 2017Introduction Environmental Ethics through Changing Landscapes: Indigenous Activism and Literary Arts18 cited
• 2018Digital Sutures: Experimental Stop-Motion Animation as Future Horizon of Indigenous Cinema12 cited
• 2016A Conversation with Helen Haig-Brown, Lisa Jackson, and Elle-Máijá Apiniskim Tailfeathers, with Some Thoughts to Frame the Conversation8 cited

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