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Alanis Obomsawin: the vision of a native filmmaker · Study

WorkAlanis Obomsawin: the vision of a native filmmaker

Unknown author2006

Work2006

Alanis Obomsawin: the vision of a native filmmaker

Unknown author

53 citations·0/0 files stored·Choice Reviews Online

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Cinema History and Criticism Indigenous Cultures and History Cinema and Media Studies

Abstract

1. Abenaki Beginnings 2. Early Films 3. A Gendered Gaze? 4. Documentary on the Middle Ground 5. Why Documentary? 6. Cinema of Sovereignty Conclusion

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References

1991People of the pines: The warriors and the legacy of Oka

Cited by

2014Tribal Televisions 2010The New Navajo Cinema: Cinema and Nation in the Indigenous Southwest 2020Indigenous Cinema and Media in the Americas: Storytelling, Communities, and Sovereignties 2014Digital not diversity? Changing Aboriginal media policy at the National Film Board of Canada

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Details

Year2006

Typeother

Published2006-12-01

VenueChoice Reviews Online

ISSN-L0009-4978

Languageen

Citations53

Files0 public / 0

ShelfCinema History and Criticism

Identifiers

doi10.5860/choice.44-2021

openalex_workW617798052

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