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Alanis Obomsawin: the vision of a native filmmaker
1 references·4 citing·17 second hop
Alanis Obomsawin: the vision of a native filmmaker (2006)Alanis Obomsawin: the vision of a native …People of the pines: The warriors and the legacy of Oka (1991)People of the pines: The warr…Indigenous Cinema and Media in the Americas: Storytelling, Communities, and Sovereignties (2020)Indigenous Cinema and Media i…Tribal Televisions (2014)Tribal TelevisionsDigital not diversity? Changing Aboriginal media policy at the National Film Board of Canada (2014)Digital not diversity? Changi…The New Navajo Cinema: Cinema and Nation in the Indigenous Southwest (2010)The New Navajo Cinema: Cinema…Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)On Populist Reason (2005)"Reel Navajo": The Linguistic Creation of Indigenous Screen Memories (2011)The Nation and Its Fragments (2020)Cinema, the Settler (2023)Language and Power (1989)Methods of Critical Discourse Analysis (2011)Critical Discourse Analysis (2015)Settler colonialism and the elimination of the native (2006)Show sold separately: promos, spoilers, and other media paratexts (2010)3. Of Mimicry and Man: The Ambivalence of Colonial Discourse (2019)Embedded Aesthetics: Creating a Discursive Space for Indigenous Media (1994)Rhetorical Sovereignty: What Do American Indians Want from Writing? (2000)Reservation reelism: redfacing, visual sovereignty, and representations of Native Americans in film (2011)“DISCOVERING” INDIGENOUS PEOPLES: ACCOUNTING AND THE MACHINERY OF EMPIRE (1999)Accounting and accountability relations: colonization, genocide and Canada’s first nations (2000)Subjects of Empire: Indigenous Peoples and the ‘Politics of Recognition’ in Canada (2007)
this work references cited by second hop

References

  • 1991People of the pines: The warriors and the legacy of Oka74 cited

Cited by

  • 2014Tribal Televisions30 cited
  • 2010The New Navajo Cinema: Cinema and Nation in the Indigenous Southwest12 cited
  • 2020Indigenous Cinema and Media in the Americas: Storytelling, Communities, and Sovereignties6 cited
  • 2014Digital not diversity? Changing Aboriginal media policy at the National Film Board of Canada3 cited

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