The rise and fall of the ‘King of Hanmai’—MC Tianyou

Jian Long Xu · Ge Zhang

19 citations0/0 files storedCelebrity Studies

No readable copy stored yet — this record is metadata only.

No open-access location is known for this record yet.

Literature note Cite in a project Citation map

Music History and Culture Musicology and Musical Analysis Asian Culture and Media Studies

Abstract

Hanmai, which literally means ‘yell mic’ or shouting at a microphone, is a hybrid music genre that appropriates rural DJ practice, Chinese pop music, thug culture of Northeast China and other eleme...

Paper brief

Loading…

Cite this work

Citation unavailable for this work.

BibTeX RIS CSL-JSON

No public copy is stored for this record, so only the metadata is cited.

Citations in this library

Citation map →

Stored only when both papers are in the corpus — 19 citations exist upstream.

References

2018“Do you Freestyle?”

Cited by

2022Selling intimacy online: The multi-modal discursive techniques of China’s wanghong 2024Exploring music geography beyond the West: Clustering and mobility of Chinese musicians in the digital era 2024From ‘ wanghong ’ to ‘ wanghong thinking ’: New research agenda and critical reflection 2025Mainstreaming wanghong in the international press discourse

Explore the map →

Papers that cite the same references — the relational fallback while embeddings are still backfilling.

Imported from OpenAlex (CC0) — nothing here is generated.