SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
The rise and fall of the ‘King of Hanmai’—MC Tianyou
1 references·4 citing·22 second hop
The rise and fall of the ‘King of Hanmai’—MC Tianyou (2020)The rise and fall of the ‘King of Hanmai’…“Do you Freestyle?” (2018)“Do you Freestyle?”Mainstreaming wanghong in the international press discourse (2025)Mainstreaming wanghong in the…From ‘ wanghong ’ to ‘ wanghong thinking ’: New research agenda and critical reflection (2024)From ‘ wanghong ’ to ‘ wangho…Exploring music geography beyond the West: Clustering and mobility of Chinese musicians in the digital era (2024)Exploring music geography bey…Selling intimacy online: The multi-modal discursive techniques of China’s wanghong (2022)Selling intimacy online: The …Introducing Social Semiotics (2004)The Handbook of Visual Analysis (2004)“Aren’t These Just Young, Rich Women Doing Vain Things Online?”: Influencer Selfies as Subversive Frivolity (2016)#Twospirit: Identity construction through stance-taking on TikTok (2023)Re-feminizing Beauty in the Multimodal Storytelling Practices of Chinese Social Media Influencers on Xiaohongshu (RED) (2023)Constructing resistant gender identities on Chinese social media: A multimodal discourse analysis of Chinese male beauty vloggers’ videos on Bilibili (2025)Music genres and corporate cultures (2000)Sound Tracks: Popular Music Identity and Place (2002)Music Scenes: Local, Translocal, and Virtual. (2006)From Protectionist to Regulator: Policy-Driven Transformation of Digital Urban Networks in China’s Online Gaming Industry (2024)How Do Unexpected Networks Help Female Entrepreneurs in the Global South Survive in Adverse Contexts? A Case Study of Bangladesh (2025)Preserving cultural identity: strategies for integrating national musical heritage into global music platforms (2025)To save everything, click here: the folly of technological solutionism (2013)To Save Everything, Click Here: The Folly of Technological Solutionism (2014)Visibility labour: Engaging with Influencers’ fashion brands and #OOTD advertorial campaigns on Instagram (2016)Influencers as emerging actors in global digital propaganda (2025)Charting the Mainstream: Television's Contributions to Political Orientations (1982)Platformization of the Unlikely Creative Class: Kuaishou and Chinese Digital Cultural Production (2019)Mainstreaming the Blackpill: Understanding the Incel Community on TikTok (2023)From Underground to Mainstream and Then What? Empowerment and Censorship in China’s Hip-Hop Music (2020)Emancipating Chinese (im)politeness research: Looking back and looking forward (2021)Rhyming style, persona, and the contested landscape of authentic Chinese hip hop (2023)
this work references cited by second hop

References

  • 2018“Do you Freestyle?”28 cited

Cited by

  • 2022Selling intimacy online: The multi-modal discursive techniques of China’s wanghong39 cited
  • 2024Exploring music geography beyond the West: Clustering and mobility of Chinese musicians in the digital era11 cited
  • 2024From ‘ wanghong ’ to ‘ wanghong thinking ’: New research agenda and critical reflection9 cited
  • 2025Mainstreaming wanghong in the international press discourse4 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work