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The Story Is Told as a History of the Body
8 references·2 citing·36 second hop
The Story Is Told as a History of the Body (1997)The Story Is Told as a History of the BodyDANCING THE ORIENT FOR ENGLAND: (1997)DANCING THE ORIENT FOR ENGLAN…Vodou and nationalism: The staging of folklore in mid‐twentieth century Haiti (1995)Vodou and nationalism: The st…Dancing the Orient for England: Maud Allan's "The Vision of Salome" (1994)Dancing the Orient for Englan…Embodying Difference: Issues in Dance and Cultural Studies (1993)Embodying Difference: Issues …Dance Ethnography and the Limits of Representation (1992)Dance Ethnography and the Lim…Dance Narratives and Fantasies of Achievement (1991)Dance Narratives and Fantasie…Classical ballet: A discourse of difference (1987)Classical ballet: A discourse…Ballet as ideology:Giselle,Act II (1986)Ballet as ideology:Giselle,Ac…Between Life History and Performance: Sundari Devi and the Art of Allusion (2008)Between Life History and Perf…Bodily Flashes of Dancing Women: Dance as a Method of Inquiry (2003)Bodily Flashes of Dancing Wom…The Black Jacobins. Toussaint L'Ouverture and the San Domingo Revolution. (1940)The Nation and Its Fragments (1994)The nation and its fragments: Colonial and postcolonial histories (1994)Dancing Bodies (1997)Embodying Difference (1997)Some Thoughts on Choreographing History (1997)Kinesics and context (1970)Visual Pleasure and Narrative Cinema (1975)Art after Modernism: Rethinking Representation (1991)Cultural Studies and Dance History (1997)Literary Theory: An Introduction (1984)Studies in the Theory of Ideology (1984)The Body and Society. (1986)REINSTATING CORPOREALITY: (1997)Some Notes on Yvonne Rainer, Modernism, Politics, Emotion, Performance, and the Aftermath (1997)THE FEMALE DANCER AND THE MALE GAZE: (1997)The Predicament of Culture Twentieth-Century Ethnography, Literature, and ArtFor a Sociology of the Body: An Analytical Review (1991)Metaphors We Live By (2003)Qualitative methods: there is nothing outside the text? (2005)Knowing Through Improvisational Dance: A Collaborative Autoethnography (2016)Why Arts-Based Research? (2019)Outline of a Theory of Practice. (1980)The Woman in the Body: A Cultural Analysis of Reproduction (1988)Staging tourism (2000)Skype as a Tool for Qualitative Research Interviews (2016)3. Of Mimicry and Man: The Ambivalence of Colonial Discourse (2019)National Identity, Popular Culture and Everyday Life (2020)Can there be a feminist ethnography? (1988)Cultural Feminism versus Post-Structuralism: The Identity Crisis in Feminist Theory (1988)Fictions Of Feminist Ethnography (1994)Changing Status in India's Marginal Music Communities (2009)Dancing in Place: Mythopoetics and the Production of History in Kuchipudi (2015)At Home in the World? The Bharatanatyam Dancer As Transnational Interpreter (2003)‘The Moment When it All Comes Together’ (2004)Choreographing Asian America (2011)
this work references cited by second hop

References

  • 1993Embodying Difference: Issues in Dance and Cultural Studies220 cited
  • 1987Classical ballet: A discourse of difference60 cited
  • 1994Dancing the Orient for England: Maud Allan's "The Vision of Salome"48 cited
  • 1986Ballet as ideology:Giselle,Act II47 cited
  • 1997DANCING THE ORIENT FOR ENGLAND:46 cited
  • 1995Vodou and nationalism: The staging of folklore in mid‐twentieth century Haiti42 cited
  • 1991Dance Narratives and Fantasies of Achievement38 cited
  • 1992Dance Ethnography and the Limits of Representation30 cited

Cited by

  • 2003Bodily Flashes of Dancing Women: Dance as a Method of Inquiry20 cited
  • 2008Between Life History and Performance: Sundari Devi and the Art of Allusion15 cited

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