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Review-Essay on Fred Lerdahl’sComposition and Cognition(University of California Press, 2019)
9 references·1 citing·31 second hop
Review-Essay on Fred Lerdahl’sComposition and Cognition(University of California Press, 2019) (2020)Review-Essay on Fred Lerdahl’sComposition…Composition and Cognition (2019)Composition and CognitionTonal Pitch Space and the (neo-)Riemannian Tonnetz (2012)Tonal Pitch Space and the (ne…Composition, Perception, and Schenkerian Theory (2011)Composition, Perception, and …Generalized Voice-Leading Spaces (2008)Generalized Voice-Leading Spa…:Tonal Pitch Space (2007):Tonal Pitch SpaceThe Geometry of Musical Chords (2006)The Geometry of Musical ChordsCognitive constraints on compositional systems (2001)Cognitive constraints on comp…Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions (1996)Maximally Smooth Cycles, Hexa…The Problem of Prolongation in Post-Tonal Music (1987)The Problem of Prolongation i…Approximate Set Theory (2023)Approximate Set TheoryOne Speaker, Two Languages (1995)Courtly Behaviors (1996)Parsimonious Graphs: A Study in Parsimony, Contextual Transformations, and Modes of Limited Transposition (1998)Directed Motion in Schoenberg and Webern (1966)The Aesthetics of Music (1981)Concepts of Prolongation and Bartók's Opus 20 (1984)Atonal prolongational structure (1989)Uniformity, Balance, and Smoothness in Atonal Voice Leading (2003)Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations (1997)Tone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles (2001)The distance geometry of music (2008)The Oxford Handbook of Neo-Riemannian Music Theories (2011)Generalized Musical Intervals and Transformations (1988)The Topos of Music (2002)Scale Networks and Debussy (2004)A geometry of music: harmony and counterpoint in the extended common practice (2012)A Generative Theory of Tonal Music (1984)The Functional Extravagance of Chromatic Chords (1986)Action and Agency Revisited (2013)Voice-Leading Transformation and Generative Theories of Tonal Structure (2015)Tonality (2023)Music Theory, Phenomenology, and Modes of Perception (1986)The Invention of “Folk Music” and “Art Music” (2007)Triadic Music in Twentieth-Century Russia (2013)Perspectives of New Music (1963)Fundamentals of Musical Composition (1968)A Cognitive Theory of Musical Meaning (2000)Music: The Missing Humboldt system (2002)Towards a Theory of Timbre for Music Analysis (2002)Creative cognition in composing music (2019)Musical meaning within Super Semantics (2021)
this work references cited by second hop

References

  • 1996Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions377 cited
  • 2006The Geometry of Musical Chords294 cited
  • 2008Generalized Voice-Leading Spaces235 cited
  • 1987The Problem of Prolongation in Post-Tonal Music162 cited
  • 2011Composition, Perception, and Schenkerian Theory59 cited
  • 2001Cognitive constraints on compositional systems54 cited
  • 2012Tonal Pitch Space and the (neo-)Riemannian Tonnetz7 cited
  • 2019Composition and Cognition6 cited
  • 2007:Tonal Pitch Space5 cited

Cited by

  • 2023Approximate Set Theory2 cited

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