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Performance and the philosopher’s costume: Richard Shusterman as the Man in Gold
12 references·0 citing·46 second hop
Performance and the philosopher’s costume: Richard Shusterman as the Man in Gold (2020)Performance and the philosopher’s costume…Dewey, Second Nature, Social Criticism, and the Hegelian Heritage (2017)Dewey, Second Nature, Social …Errancy as Work: Seven Strewn Notes for Dance Dramaturgy (2015)Errancy as Work: Seven Strewn…The dancer at work: The aesthetic and politics of practice clothes and leotard costumes in ballet performance (2014)The dancer at work: The aesth…Dancing dress: Experiencing and perceiving dress in movement (2014)Dancing dress: Experiencing a…Cédric Andrieux: With Bel, Benjamin, and Brecht in Vancouver (2014)Cédric Andrieux: With Bel, Be…Performativity and the historical body: Detecting performance through the archived costume (2013)Performativity and the histor…The circus and modernity: A commitment to ‘the newer’ and ‘the newest’ (2012)The circus and modernity: A c…Movement and Modernity: New York Sportswear, Dance, and Exercise in the 1930s and 1940s (2008)Movement and Modernity: New Y…Showing and Hiding: Equivocation in the Relations of Body and Dress (2007)Showing and Hiding: Equivocat…Merce Cunningham and the Aesthetic of Collage (2002)Merce Cunningham and the Aest…Between History and Event: Rehearsing Nuclear War Survival (2002)Between History and Event: Re…A Longing for Perfection: Neoclassic Fashion and Ballet (2002)A Longing for Perfection: Neo…The Content of the Form: Narrative Discourse and Historical Representation (1988)All that is solid melts into air : the experience of modernity (1995)A singular modernity: essay on the ontology of the present (2003)Synthesising circus aesthetics and science: Australian circus and variety theatre at the turn of the twentieth century (2018)Entertainment as an archival source for historical accounting research (2020)It’s a Three-Ring Circus: How Morally Educative Practices Are Undermined by Institutions (2024)The Art of Making Dances (1959)Brecht on Theatre (1964)Fundamentals of Play Directing (1965)How To Do Things With Words (1975)Mind in Matter: An Introduction to Material Culture Theory and Method (1982)The Commodity Culture of Victorian England: Advertising and Spectacle, 1851-1914. (1992)Historical materiality of performance: On the costumes of The Rite of Spring (1913) (2020)The Body as the Matter of Costume: A Phenomenological Practice (2020)Critical Costume 2020: Investigating costume agency (2021)Seeing through clothes (1978)A History of Psychiatry: From the Era of the Asylum to the Age of Prozac. (1997)Dancing Modernism/Performing Politics by Mark Franko. Bloomington: Indiana University Press, 1995. Xvi + 192 pp., photographs, appendix, notes, bibliography, index. $29.95 clothbound; $12.95 paperbound. (1997)The Style Stakes: Fashion, Sportswear and Horse Racing in Inter-war America (2014)The Feminine Awkward: Graceless Bodies and the Performance of Femininity in Fashion Photographs (2016)‘The American Look’: The transformation of women’s sportswear in 1930s and 1940s America (2023)Visual and Other Pleasures (1989)The Beauty Myth: How Images of Beauty Are Used Against Women (1990)Idealization of the Body in Fashion -Focus on Skinny Jeans as an Externalized Corset- (2011)Effects Of Women’s Seductive Dressing On Men’s Behaviour And Judgement: A Study In Selected Universities In Ghana (2018)Dress or cover? The origin and meaning of clothing (2023)Jokes and their Relation to the Unconscious 1905 (2024)Freytag's technique of the drama : an exposition of dramatic composition and art. (1895)Performance as Metaphor (1996)Perform or Else: From Discipline to Performance (2002)Engineering the Future as Nuclear Ruin (2013)Ruins, Redemption, and Brazil's Imperial Exception (2013)When a Demolished House Becomes a Public Square (2013)Soviet choreographers in the 1920s (1990)Sporting Females: Critical Issues in the History and Sociology of Women's Sports. (1995)Dancing women: female bodies on stage (1998)The Four Fundamental Concepts of Psycho-Analysis (1979)A Thousand Plateaus: Capitalism and Schizophrenia (1989)The Four Fundamental Concepts of Psycho-Analysis (2018)Hegel's Philosophy of Right (1952)Negative Dialectics (2003)The Concept of Mind (2003)Habit and emotion: John Dewey’s contribution to the theory of change (2021)The Routledge Companion to Dance Studies (2019)Body Styles: Redirecting Ethics and the Question of Embodied Empathy in Fashion Design (2022)Unveiling Kinetic Expression: Exploring Design Variables and Processes for Dynamic Woven Textiles (2025)
this work references cited by second hop

References

  • 2002Between History and Event: Rehearsing Nuclear War Survival50 cited
  • 2013Performativity and the historical body: Detecting performance through the archived costume35 cited
  • 2017Dewey, Second Nature, Social Criticism, and the Hegelian Heritage27 cited
  • 2007Showing and Hiding: Equivocation in the Relations of Body and Dress20 cited
  • 2002Merce Cunningham and the Aesthetic of Collage20 cited
  • 2012The circus and modernity: A commitment to ‘the newer’ and ‘the newest’17 cited
  • 2015Errancy as Work: Seven Strewn Notes for Dance Dramaturgy13 cited
  • 2008Movement and Modernity: New York Sportswear, Dance, and Exercise in the 1930s and 1940s11 cited
  • 2014The dancer at work: The aesthetic and politics of practice clothes and leotard costumes in ballet performance8 cited
  • 2014Dancing dress: Experiencing and perceiving dress in movement7 cited
  • 2014Cédric Andrieux: With Bel, Benjamin, and Brecht in Vancouver5 cited
  • 2002A Longing for Perfection: Neoclassic Fashion and Ballet4 cited

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