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Fashioning Wellbeing Through Craft: A Case Study of Aneeth Arora’s Strategies for Sustainable Fashion and Decolonizing Design
5 references·12 citing·43 second hop
Fashioning Wellbeing Through Craft: A Case Study of Aneeth Arora’s Strategies for Sustainable Fashion and Decolonizing Design (2020)Fashioning Wellbeing Through Craft: A Cas…Fashion and Postcolonial Critique (2019)Fashion and Postcolonial Crit…The Indian Fashion Industry and Traditional Indian Crafts (2011)The Indian Fashion Industry a…Slow Fashion: An Invitation for Systems Change (2010)Slow Fashion: An Invitation f…SLOW + FASHION—an Oxymoron—or a Promise for the Future …? (2008)SLOW + FASHION—an Oxymoron—or…Cloth and human experience (1990)Cloth and human experienceFrom Courtly Craft to Global Heritage: The Evolution of Chikankari Embroidery in Lucknow (2026)From Courtly Craft to Global …The characteristics of contemporary Indian fashion designs using traditional handicraft - Focusing on Sabyasachi Mukherjee, Manish Malhotra, and Ritu Kumar - (2024)The characteristics of contem…Exploratory factor analysis of sustainable craft theory among Finnish craft hobbyists (2024)Exploratory factor analysis o…Consuming and retailing fashion: South Asian diaspora negotiating clothing practices, identities and community making in Glasgow (2024)Consuming and retailing fashi…Value-creating practices and barriers for collaboration between designers and artisans: a systematic literature review (2023)Value-creating practices and …Review of Craft Revival Techniques (2023)Review of Craft Revival Techn…Artisans, Creativity, and Ethics: “Skill Regimes” in a Mumbai Fashion Export House (2023)Artisans, Creativity, and Eth…Practice of sustainable fashion design considering customer emotions and personal tastes (2022)Practice of sustainable fashi…Less is more: The paradox of minimalism in contemporary Indian fashion (2022)Less is more: The paradox of …Dreams of Weaving: Creative Practice-Led Approach to Handloom Product Development in Sri Lanka Using Artisans’ Socio-Emotional Identities (2022)Dreams of Weaving: Creative P…Three-Dimensional Printing Fashion Product Design with Emotional Durability Based on Korean Aesthetics (2021)Three-Dimensional Printing Fa…Fast fashion - wearing out the planet (2021)Fast fashion - wearing out th…The Iron Cage Revisited: Institutional Isomorphism and Collective Rationality in Organizational Fields (1983)The iron cage revisited institutional isomorphism and collective rationality in organizational fields (2004)India after Gandhi: the history of the world's largest democracy (2008)Globalization and Beauty: A Historical and Firm Perspective * (2011)The emergence of Italy as a fashion country: Nation branding and collective meaning creation at Florence’s fashion shows (1951–1965) (2017)What Is Dead May Never Die: Institutional Regeneration through Logic Reemergence in Dutch Beer Brewing (2018)Sustainable fashion and textiles: design journeys (2014)Sustainable fashion consumption and the fast fashion conundrum: fashionable consumers and attitudes to sustainability in clothing choice (2015)What is sustainable fashion? (2016)Innovative and sustainable business models in the fashion industry: Entrepreneurial drivers, opportunities, and challenges (2017)Modernity at Large: Cultural Dimensions of Globalization. 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(2016)The circular economy (2016)Qualitative Research Methods for the Social Sciences (2000)Social Research Methods: Qualitative and Quantitative Approaches (2002)Qualitative research practice: a guide for social science students and researchers (2003)Crafting Kuweni’s Legacy: Folklore-Inspired Responsible Dyeing Techniques and Textile Developments (2024)From tradition to innovation: Examining Ifugao’s local weave products as One Town One Product – Next generation (2025)Traditional arts and events for mental and social well-being: a scoping review framed by intangible cultural heritage (2026)The Craft Consumer (2005)Small projects/large changes: Participatory design as an open participated process (2011)Designing Sustainable Fashion: Possibilities and Challenges (2013)A Systematic Review of the Traditional Handicrafts Preservation Toward Sustainable Intangible Cultural Heritage (2025)Bridging the Macro, Meso and Micro Levels of Designer–Artisan Co‐Design: Case Studies of Value Co‐Creation Within Chinese Textile Crafts (2025)Empowering designer-artisan partnership through capability-based co-design (2026)Distinguished Lecture in Archeology: Breaking and Entering the Ecosystem—Gender, Class, and Faction Steal the Show (1992)Wealth in People as Wealth in Knowledge: Accumulation and Composition in Equatorial Africa (1995)Millennial Capitalism: First Thoughts on a Second Coming (2000)Letter from the Editors: Fashion as Politics: Dressing Dissent (2019)Letter from the Editors: Decoloniality and Fashion (2020)Feather-Work: A Fashioned Ostrich Plume Embodies Hybrid and Violent Labors of Growing and Making (2021)
this work references cited by second hop

References

  • 2010Slow Fashion: An Invitation for Systems Change530 cited
  • 2008SLOW + FASHION—an Oxymoron—or a Promise for the Future …?438 cited
  • 1990Cloth and human experience369 cited
  • 2011The Indian Fashion Industry and Traditional Indian Crafts42 cited
  • 2019Fashion and Postcolonial Critique30 cited

Cited by

  • 2021Fast fashion - wearing out the planet28 cited
  • 2023Value-creating practices and barriers for collaboration between designers and artisans: a systematic literature review15 cited
  • 2022Practice of sustainable fashion design considering customer emotions and personal tastes15 cited
  • 2021Three-Dimensional Printing Fashion Product Design with Emotional Durability Based on Korean Aesthetics11 cited
  • 2022Dreams of Weaving: Creative Practice-Led Approach to Handloom Product Development in Sri Lanka Using Artisans’ Socio-Emotional Identities9 cited
  • 2022Less is more: The paradox of minimalism in contemporary Indian fashion9 cited
  • 2024Consuming and retailing fashion: South Asian diaspora negotiating clothing practices, identities and community making in Glasgow6 cited
  • 2023Review of Craft Revival Techniques4 cited
  • 2024Exploratory factor analysis of sustainable craft theory among Finnish craft hobbyists4 cited

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  • 2023Artisans, Creativity, and Ethics: “Skill Regimes” in a Mumbai Fashion Export House2 cited
  • 2024The characteristics of contemporary Indian fashion designs using traditional handicraft - Focusing on Sabyasachi Mukherjee, Manish Malhotra, and Ritu Kumar -2 cited
  • 2026From Courtly Craft to Global Heritage: The Evolution of Chikankari Embroidery in Lucknow1 cited