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The perfect medium: photography and the occult
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  • 2008The ‘world of the infinitely little’: connecting physical and psychical realities circa 190073 cited
  • 2014Photographing Objects as Queer Archival Practice68 cited
  • 2013Seeing the Unseen in Indonesia's Public Sphere: Photographic Appearances of a Spirit Queen53 cited
  • 2012A short history of superimposition: From spirit photography to early cinema43 cited
  • 2014Haunted thoughts of the careful experimentalist: Psychical research and the troubles of experimental physics36 cited
  • 2012Mediumismus und moderne Medien Die Prüfung des europäischen Medienbegriffs30 cited
  • 2014The Chernobyl Landscape and the Aesthetics of Invisibility21 cited
  • 2012“SOME TRICK OF THE MOONLIGHT”: SEDUCTION AND THE MOVING IMAGE IN BRAM STOKER'S DRACULA16 cited
  • 2016Seeing through Spirits: Superimposition, Cognition, and The Phantom Carriage13 cited
  • 2015Double Exposures: Derrida and Cinema, an Introductory Séance12 cited
  • 2011THE INVISIBLE MADE VISIBLE11 cited
  • 2014Accessible Feelings, Modern Looks10 cited
  • 2005Sympathy For the Dead: (G)hosts, Hostilities and Mediums in Alejandro Amenábar's The Others and Postmortem Photography8 cited
  • 2012On Photographic Elegy2 cited

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  • 2009Generation 2.50 cited