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Curating climate change: The Taipei Biennial as an environmental problem solver
11 references·0 citing·32 second hop
Curating climate change: The Taipei Biennial as an environmental problem solver (2020)Curating climate change: The Taipei Bienn…Mega-exhibitions and the Antinomies of a Transnational Global Form (2003-4) (2025)Mega-exhibitions and the Anti…China's ancient past in its contemporary art: On the politics of time and nation branding at the Venice Biennale (2019)China's ancient past in its c…Anti-fascism/Art/Theory (2019)Anti-fascism/Art/TheorySymbolic Production in the Art Biennial: Making Worlds (2016)Symbolic Production in the Ar…The Democratic Horizons of the Museum: Citizenship and Culture (2015)The Democratic Horizons of th…The biennalization of art worlds: the culture of cultural events (2015)The biennalization of art wor…The globalization of art and the ‘Biennials of Resistance’: a history of the biennials from the periphery (2014)The globalization of art and …Biennials that promote an ‘emancipatory politics’ (2014)Biennials that promote an ‘em…From National Art to Critical Globalism (2013)From National Art to Critical…Marks of Distinction, Vectors of Possibility – Questions for the Biennial (2009)Marks of Distinction, Vectors…Cultural Citizenship as Subject-Making: Immigrants Negotiate Racial and Cultural Boundaries in the United States [and Comments and Reply] (1996)Cultural Citizenship as Subje…Distinction: A Social Critique of the Judgement of Taste. (1985)Hegemony and Socialist Strategy: Towards a Radical Democratic Politics (1985)Strong Democracy: Participatory Politics for a New Age (1985)Museums change lives. The role of museums in the creation of the democratic public sphere (2018)The Diplomatic Museum: A Latourian Perspective on the Civic Role of Museums (2021)LAM professionals' roles and attitudes to user participation in Norway and Sweden (2023)The Ritual Process: Structure and Anti-Structure (1976)Powers of Horror: An Essay on Abjection (1984)Rabelais and his world (2020)Handbuch Ausstellungstheorie und -praxis (2013)The global contemporary and the rise of new art worlds (2013)The Global Contemporary and the Rise of New Art Worlds (2014)Global art history: a view from the North (2015)Curating change: Spatial utopian politics and the architecture of degrowth (2021)The Tourist Gaze: Leisure and Travel in Contemporary Societies (1990)Colonialism and Culture (1992)The Field of Cultural Production: Essays on Art and Literature (1996)Ranking Art: Paradigmatic Worldviews in the Quantification and Evaluation of Contemporary Art (2020)Situating the “Cultural Reach” of Cities in a Multiscalar Field (2021)Treating the Nation as a Brand: Some Neglected Issues (2000)Branding the nation: What is being branded? (2005)Designer nations: Neo-liberal nation branding – Brand Estonia (2008)In/Sight: African Photographers, 1940 to the Present (1997)Archive fever: uses of the document in contemporary art (2009)Contemporary African art since 1980 (2010)Bienais sem fronteiras? (2012)Global Art Collectives and Exhibition Making (2022)World Platforms, Exhibiting Adjacency, and the Surplus Value of Art (2015) (2025)Emerging in the East: the Shanghai Biennale’s pathways to legitimation, 1996 to 2018 (2022)Citizenship and Immigration: Multiculturalism, Assimilation, and Challenges to the Nation-State (2008)A Concept Analysis of Digital Citizenship for Democratic Citizenship Education in the Internet Age (2016)Addressing Recognition Gaps: Destigmatization and the Reduction of Inequality (2018)
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References

  • 1996Cultural Citizenship as Subject-Making: Immigrants Negotiate Racial and Cultural Boundaries in the United States [and Comments and Reply]912 cited
  • 2025Mega-exhibitions and the Antinomies of a Transnational Global Form (2003-4)75 cited
  • 2014The globalization of art and the ‘Biennials of Resistance’: a history of the biennials from the periphery39 cited
  • 2016Symbolic Production in the Art Biennial: Making Worlds25 cited
  • 2013From National Art to Critical Globalism23 cited
  • 2015The Democratic Horizons of the Museum: Citizenship and Culture17 cited
  • 2014Biennials that promote an ‘emancipatory politics’10 cited
  • 2019China's ancient past in its contemporary art: On the politics of time and nation branding at the Venice Biennale10 cited
  • 2009Marks of Distinction, Vectors of Possibility – Questions for the Biennial8 cited
  • 2019Anti-fascism/Art/Theory8 cited
  • 2015The biennalization of art worlds: the culture of cultural events7 cited

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