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This chapter is a survey of mega-exhibitions of contemporary art, such as biennials, triennials, and the five-yearly exhibition at Kassel, Documenta, interpreted as manifestations of the antinomic forces constituting the postcolonial constellation. The chapter is a major statement about these most contemporary kinds of exhibition.
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Stored only when both papers are in the corpus — 75 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
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