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Mega-exhibitions and the Antinomies of a Transnational Global Form (2003-4)
16 references·4 citing·25 second hop
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this work references cited by second hop

References

  • 2010Contemporary African art since 1980197 cited
  • 2009Archive fever: uses of the document in contemporary art196 cited
  • 1997In/Sight: African Photographers, 1940 to the Present161 cited
  • 2002The Short Century: Independence and Liberation Movements in Africa, 1945-1994152 cited
  • 2003The Postcolonial Constellation: Contemporary Art in a State of Permanent Transition129 cited
  • 1999Global Conceptualism : Points of Origin, 1950s-1980s127 cited
  • 2010Modernity and Postcolonial Ambivalence122 cited
  • 2001Reading the Contemporary: African Art from Theory to the Marketplace116 cited
  • 2007The Ghosts of Songs: The Film Art of the Black Audio Film Collective115 cited
  • 2002Century city: art and culture in modern metropolis96 cited
  • 2009Questionnaire on “The Contemporary”95 cited
  • 2008Antinomies of Art and Culture85 cited
  • 2006The Manifesta decade : debates on contemporary art exhibitions and biennials in post-wall Europe83 cited
  • 2009ALTERMODERN: TATE TRIENNIAL.81 cited
  • 1997ART IN SOUTH AFRICA: THE FUTURE PRESENT79 cited
  • 1998Black Photo Album / Look at Me: 1890 - 1950

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69 cited

Cited by

  • 2025World Platforms, Exhibiting Adjacency, and the Surplus Value of Art (2015)36 cited
  • 2020Curating climate change: The Taipei Biennial as an environmental problem solver6 cited
  • 2012Bienais sem fronteiras?6 cited
  • 2022Global Art Collectives and Exhibition Making6 cited