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The colours of Rome in the walls of Cástulo (Linares, Spain)
16 references·2 citing·33 second hop
The colours of Rome in the walls of Cástulo (Linares, Spain) (2020)The colours of Rome in the walls of Cástu…Mineral Pigments in Archaeology: Their Analysis and the Range of Available Materials (2018)Mineral Pigments in Archaeolo…Macroscale multimodal imaging reveals ancient painting production technology and the vogue in Greco-Roman Egypt (2017)Macroscale multimodal imaging…Revealing metallic ink in Herculaneum papyri (2016)Revealing metallic ink in Her…A Hidden Portrait by Edgar Degas (2016)A Hidden Portrait by Edgar De…Raman spectroscopy for the investigation of carbon‐based black pigments (2015)Raman spectroscopy for the in…In situ analysis with portable Raman and ED‐XRF spectrometers for the diagnosis of the formation of efflorescence on walls and wall paintings of the Insula IX 3 (Pompeii, Italy) (2014)In situ analysis with portabl…IDENTIFICATION, PROCESSING AND USE OF RED PIGMENTS (HEMATITE AND CINNABAR) IN THE VALENCIAN EARLY NEOLITHIC (SPAIN) (2012)IDENTIFICATION, PROCESSING AN…The Temple of Venus (Pompeii): a study of the pigments and painting techniques (2011)The Temple of Venus (Pompeii)…Spectroscopic methods for the analysis of celadonite and glauconite in Roman green wall paintings (2011)Spectroscopic methods for the…Raman spectroscopy as a tool to diagnose the impact and conservation state of Pompeian second and fourth style wall paintings exposed to diverse environments (House of Marcus Lucretius) (2010)Raman spectroscopy as a tool …Pigments used in Roman wall paintings in the Vesuvian area (2010)Pigments used in Roman wall p…Green pigments of the Pompeian artists’ palette (2008)Green pigments of the Pompeia…‘Green earths’: vibrational and elemental characterization of glauconites, celadonites and historical pigments (2008)‘Green earths’: vibrational a…Heated goethite and natural hematite: Can Raman spectroscopy be used to differentiate them? 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References

  • 2007Heated goethite and natural hematite: Can Raman spectroscopy be used to differentiate them?445 cited
  • 2015Raman spectroscopy for the investigation of carbon‐based black pigments251 cited
  • 2018Mineral Pigments in Archaeology: Their Analysis and the Range of Available Materials222 cited
  • 2008‘Green earths’: vibrational and elemental characterization of glauconites, celadonites and historical pigments178 cited
  • 2008Green pigments of the Pompeian artists’ palette127 cited
  • 2010Pigments used in Roman wall paintings in the Vesuvian area113 cited
  • 2011Spectroscopic methods for the analysis of celadonite and glauconite in Roman green wall paintings104 cited
  • 1987Los diez libros de arquitectura93 cited
  • 2010Raman spectroscopy as a tool to diagnose the impact and conservation state of Pompeian second and fourth style wall paintings exposed to diverse environments (House of Marcus Lucretius)90 cited
  • 2011The Temple of Venus (Pompeii): a study of the pigments and painting techniques85 cited
  • 2016A Hidden Portrait by Edgar Degas71 cited
  • 2001Micro-PIXE analysis of an ancient Egyptian papyrus: Identification of pigments used for the “Book of the Dead”69 cited
  • 2017Macroscale multimodal imaging reveals ancient painting production technology and the vogue in Greco-Roman Egypt69 cited
  • 2014In situ analysis with portable Raman and ED‐XRF spectrometers for the diagnosis of the formation of efflorescence on walls and wall paintings of the Insula IX 3 (Pompeii, Italy)

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66 cited
  • 2012IDENTIFICATION, PROCESSING AND USE OF RED PIGMENTS (HEMATITE AND CINNABAR) IN THE VALENCIAN EARLY NEOLITHIC (SPAIN)65 cited
  • 2016Revealing metallic ink in Herculaneum papyri64 cited
  • Cited by

    • 2021Revealing time’s secrets at the National Theatre of Costa Rica via innovative software for cultural heritage research14 cited
    • 2022A smartphone-based innovative approach to discriminate red pigments in roman frescoes mock-ups13 cited