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The Schenker project : culture, race, and music theory in fin-de-siècle Vienna
0 references·15 citing·44 second hop
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Cited by

  • 2020Music Theory and the White Racial Frame359 cited
  • 2014Music and Ethical Responsibility120 cited
  • 2015Voice-Leading Transformation and Generative Theories of Tonal Structure31 cited
  • 2015New Riffs on the Old Mind-Body Blues: “Black Rhythm,” “White Logic,” and Music Theory in the Twenty-First Century26 cited
  • 2011Schenker and Schoenberg on the Will of the Tone25 cited
  • 2016Rethinking Interaction in Jazz Improvisation21 cited
  • 2008Schoenberg's Interior Designs10 cited
  • 2014Austrian Philosophy and its Institutions: Remarks on the Philosophical Society of the University of Vienna (1888–1938)9 cited
  • 2017The New State of Play in Performance Studies8 cited
  • 2011L’histoire de la philosophie autrichienne et ses institutions7 cited
  • 2013Towards Computable Procedures For Deriving Tree Structures In Music: Context Dependency In Gttm And Schenkerian Theory6 cited
  • 2017A Tale of Three Schenkers4 cited
  • 2014Da Música como Criatura Viva: repercussões do organicismo na teoria contemporânea.4 cited
  • 2015Schoenberg and redemption3 cited
  • 2011“Forward to Haydn!”: Schenker's Politics and the German Revival of Haydn

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2 cited