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Challenges in the data analysis of Asian lacquers from museum objects by pyrolysis gas chromatography/mass spectrometry
16 references·1 citing·39 second hop
Challenges in the data analysis of Asian lacquers from museum objects by pyrolysis gas chromatography/mass spectrometry (2020)Challenges in the data analysis of Asian …Use of THM-PY-GC/MS technique to characterize complex, multilayered Chinese lacquer (2019)Use of THM-PY-GC/MS technique…Some observations on the composition of Chinese lacquer (2016)Some observations on the comp…Beyond the basics: A systematic approach for comprehensive analysis of organic materials in Asian lacquers (2016)Beyond the basics: A systemat…An investigation into the curing of urushi and tung oil films by thermoanalytical and mass spectrometric techniques (2016)An investigation into the cur…Proteins in Art, Archaeology, and Paleontology: From Detection to Identification (2015)Proteins in Art, Archaeology,…Comparative analysis of eastern and western drying-oil binding media used in polychromic artworks by pyrolysis–gas chromatography/mass spectrometry under the influence of pigments (2015)Comparative analysis of easte…Application of Pyrolysis Gas Chromatography/Mass Spectrometry in Lacquer Research: A Review (2014)Application of Pyrolysis Gas …A cause of water-sensitivity in modern oil paint films: The formation of magnesium sulphate (2014)A cause of water-sensitivity …A comparison study of alkyd resin used in art works by Py-GC/MS and GC/MS: The influence of aging (2013)A comparison study of alkyd r…East Asian Lacquer: Material Culture, Science and Conservation (2012)East Asian Lacquer: Material …Molecular criteria for discriminating museum Asian lacquerware from different vegetal origins by pyrolysis gas chromatography/mass spectrometry (2011)Molecular criteria for discri…Applied analysis and identification of ancient lacquer based on pyrolysis‐gas chromatography/mass spectrometry (2010)Applied analysis and identifi…Determination of the type of lacquer on East Asian lacquer ware (2009)Determination of the type of …Characterization of Natural Resin Films and Identification of Ancient Coating (2003)Characterization of Natural R…IDENTIFICATION OF ANCIENT LACQUER FILM USING TWO‐STAGE PYROLYSIS‐GAS CHROMATOGRAPHY/MASS SPECTROMETRY* (1999)IDENTIFICATION OF ANCIENT LAC…Characterization of Rhus vernicifera and Rhus succedanea lacquer films and their pyrolysis mechanisms studied using two-stage pyrolysis-gas chromatography/mass spectrometry (1996)Characterization of Rhus vern…Exploring thitsi in Qing Dynasty lacquerware: Insights from a preliminary study (2025)Exploring thitsi in Qing Dyna…The Organic Chemistry of Museum Objects (1988)Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)Organic Chemistry of Museum Objects (2012)Investigation of gilding materials and techniques in wall paintings of Kizil Grottoes (2019)Analytical Techniques for the Preservation of Cultural Heritage: Frontiers in Knowledge and Application (2021)Applied analysis of lacquer films based on pyrolysis-gas chromatography/mass spectrometry (2006)Characterization and identification of urushi using in situ pyrolysis/silylation–gas chromatography–mass spectrometry (2015)Comparative study of the materials and lacquering techniques of the lacquer objects from Warring States Period China (2019)Analysis of modern paints (2004)The characterization of commercial artists’ alkyd paints (2008)Photochemical degradation study of polyvinyl acetate paints used in artworks by Py–GC/MS (2012)Influence of phthalocyanine pigments on the photo-degradation of alkyd artists' paints under different conditions of artificial solar radiation (2016)A pyrolysis approach for characterizing and assessing degradation of polyurethane foam in cultural heritage objects (2018)Synthetic materials in art: a new comprehensive approach for the characterization of multi-material artworks by analytical pyrolysis (2019)Novel analytical methods for characterising binding media and protective coatings in artworks (2008)Analytical characterization of lacquer objects excavated from a Chu tomb in China (2011)Study of historical Chinese lacquer culture and technology – Analysis of Chinese Qin-Han dynasty lacquerware (2016)An easily transferable protocol for in-situ quasi-non-invasive analysis of protein binders in works of art (2020)The potential of pyrolysis—gas chromatography/mass spectrometry in the recognition of ancient painting media (1993)Long‐term behavior of oil‐based varnishes and paints I. Spectroscopic analysis of curing drying oils (1999)A Decade of Raman Spectroscopy in Art and Archaeology (2007)Identification of Organic Colorants in Fibers, Paints, and Glazes by Surface Enhanced Raman Spectroscopy (2010)Analytical pyrolysis of proteins in samples from artistic and archaeological objects (2017)Palaeoproteomics for human evolution studies (2018)Recent Advances in Analytical Pyrolysis to Investigate Organic Materials in Heritage Science (2018)Analytical Strategies for Characterizing Organic Paint Media Using Gas Chromatography/Mass Spectrometry (2010)New Insights into the Ageing of Linseed Oil Paint Binder: A Qualitative and Quantitative Analytical Study (2012)A multi-analytical characterization of artists’ carbon-based black pigments (2019)Analytical pyrolysis applied to the characterisation and identification of Asian lacquers in cultural heritage samples – A review (2021)Oxidation and Cross-Linking in the Curing of Air-Drying Artists’ Oil Paints (2021)The Gas Chromatographic Examination of Paint Media. Part I. Fatty Acid Composition and Identification of Dried Oil Films (1966)Characterization of the Balm of an Egyptian Mummy from the Seventh Century B.C. (2000)Comprehensive Multi-Analytical Investigations on the Vietnamese lacquered Wall-Panel “The Return of the Hunters” by Jean Dunand (2019)A review of solvent action on oil paint (2020)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Identification of collagen-based materials in cultural heritage (2013)Raman spectroscopy of minerals and mineral pigments in archaeometry (2016)Spectroscopic investigation and comprehensive analysis of the polychrome clay sculpture of Hua Yan Temple of the Liao Dynasty (2020)Micro-Raman, XRD and THM-Py-GC/MS analysis to characterize the materials used in the Eleven-Faced Guanyin of the Du Le Temple of the Liao Dynasty, China (2021)
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References

  • 2015Proteins in Art, Archaeology, and Paleontology: From Detection to Identification172 cited
  • 2016Beyond the basics: A systematic approach for comprehensive analysis of organic materials in Asian lacquers127 cited
  • 1996Characterization of Rhus vernicifera and Rhus succedanea lacquer films and their pyrolysis mechanisms studied using two-stage pyrolysis-gas chromatography/mass spectrometry79 cited
  • 2014Application of Pyrolysis Gas Chromatography/Mass Spectrometry in Lacquer Research: A Review74 cited
  • 2011Molecular criteria for discriminating museum Asian lacquerware from different vegetal origins by pyrolysis gas chromatography/mass spectrometry66 cited
  • 2016An investigation into the curing of urushi and tung oil films by thermoanalytical and mass spectrometric techniques66 cited
  • 2013A comparison study of alkyd resin used in art works by Py-GC/MS and GC/MS: The influence of aging62 cited
  • 2003Characterization of Natural Resin Films and Identification of Ancient Coating61 cited
  • 2015Comparative analysis of eastern and western drying-oil binding media used in polychromic artworks by pyrolysis–gas chromatography/mass spectrometry under the influence of pigments59 cited
  • 2019Use of THM-PY-GC/MS technique to characterize complex, multilayered Chinese lacquer55 cited
  • 2009Determination of the type of lacquer on East Asian lacquer ware53 cited
  • 2014A cause of water-sensitivity in modern oil paint films: The formation of magnesium sulphate47 cited
  • 2012

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East Asian Lacquer: Material Culture, Science and Conservation
46 cited
  • 2016Some observations on the composition of Chinese lacquer44 cited
  • 2010Applied analysis and identification of ancient lacquer based on pyrolysis‐gas chromatography/mass spectrometry42 cited
  • 1999IDENTIFICATION OF ANCIENT LACQUER FILM USING TWO‐STAGE PYROLYSIS‐GAS CHROMATOGRAPHY/MASS SPECTROMETRY*41 cited
  • Cited by

    • 2025Exploring thitsi in Qing Dynasty lacquerware: Insights from a preliminary study12 cited