SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Guangzhou Tongcao painting in late China Qing Dynasty (1840–1912 AD): technology revealed by analytical approaches
11 references·2 citing·40 second hop
Guangzhou Tongcao painting in late China Qing Dynasty (1840–1912 AD): technology revealed by analytical approaches (2021)Guangzhou Tongcao painting in late China …Examination of pigments on Thai manuscripts: the first identification of copper citrate (2008)Examination of pigments on Th…Three fabricated pigments (Han purple, indigo and emerald green) in ancient Chinese artifacts studied by Raman microscopy, energy‐dispersive X‐ray spectrometry and polarized light microscopy (2007)Three fabricated pigments (Ha…Pigment study by Raman microscopy of 23 paintings by the Portuguese artist Henrique Pousão (1859–1884) (2007)Pigment study by Raman micros…Pigment identification of colored drawings from Wuying Hall of the Imperial Palace by micro‐Raman spectroscopy and energy dispersive X‐ray spectroscopy (2006)Pigment identification of col…Pigment Identification by Spectroscopic Means: Evidence Consistent with the Attribution of the PaintingYoung Woman Seated at a Virginalto Vermeer (2005)Pigment Identification by Spe…Raman microscopy in archaeological science (2004)Raman microscopy in archaeolo…Analytical study of traditional decorative materials and techniques used in Ming Dynasty wooden architecture. The case of the Drum Tower in Xi’an, P.R. of China (2004)Analytical study of tradition…Blue Pigments in South American Painting (1610-1780) (1999)Blue Pigments in South Americ…Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Raman spectroscopic library o…The decorative arts of the China trade: paintings, furnishings and exotic curiosities (1992)The decorative arts of the Ch…Chinese painting colors: studies of their preparation and application in traditional and modern times (1989)Chinese painting colors: stud…How has rural tourism influenced the sustainable development of traditional villages? A systematic literature review (2024)How has rural tourism influen…Cu and As containing pigments in Zhejiang architecture polychrome paintings: a case study of degradation products of emerald green (2023)Cu and As containing pigments…Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Copper and Bronze in Art: Corrosion, Colorants, Conservation (2002)The use of mobile Raman spectroscopy to compare three full-page miniatures from the breviary of Arnold of Egmond (2011)Integration of μ-XRF, and u-Raman techniques to study ancient Islamic manuscripts (2012)Spectroscopic investigation of Roman decorated plasters by combining FT-IR, micro-Raman and UV-Raman analyses (2016)Raman microscopy: application to the identification of pigments on medieval manuscripts (1995)Elemental analysis-aided Raman spectroscopic studies on Chinese cloisonné wares and painted enamels from the Imperial Palace (2015)Analysis of an Ancient Architectural Painting from the Jiangxue Palace in the Imperial Museum, Beijing, China (2020)Study on the pigments of Chinese architectural colored drawings in the Altar of Agriculture (Beijing, China) by portable Raman spectroscopy and ED-XRF spectrometers (2021)The natural history of Pliny (1855)A History of Building Materials (1962)Polychromic structures and pigments in Guangyuan Thousand-Buddha Grotto of the Tang Dynasty (China) (2012)“A methodological assessment of the importance of physical values in architectural conservation using Shannon entropy method” (2020)Degradation of emerald green: scientific studies on multi-polychrome Vairocana Statue in Dazu Rock Carvings, Chongqing, China (2020)Modern analytical methods in art and archaeology (2000)Identification of pigments in different layers of illuminated manuscripts by X-ray fluorescence mapping and Raman spectroscopy (2015)Raman spectroscopy of green minerals and reaction products with an application in Cultural Heritage research (2016)Pigments—copper-based greens and blues (2021)Characterization of Pararealgar and Other Light-Induced Transformation Products from Realgar by Raman Microspectroscopy (1996)Catalogue of 45 reference Raman spectra of minerals concerning research in art history or archaeology, especially on corroded metals and coloured glass (2003)Raman microscopy as a structural and analytical tool in the fields of art and archaeology (2007)Analytical Raman spectroscopic discrimination between yellow pigments of the Renaissance (2010)Studies of wall painting fragments from Kaiping Diaolou by SEM/EDX, micro Raman and FT-IR spectroscopy (2010)A critical look at community based tourism (2004)Revitalizing traditional villages through rural tourism: A case study of Yuanjia Village, Shaanxi Province, China (2017)The PRISMA 2020 statement: an updated guideline for reporting systematic reviews (2021)A Framework for Heritage-Led Regeneration in Chinese Traditional Villages: Systematic Literature Review and Experts’ Interview (2025)Cluster-Based Protection Mechanisms for Coastal Traditional Villages: A Complex Network Analysis Approach with a Case Study of Rongcheng, Shandong Province (Part 1) (2025)Cultural gene characterization and mapping of traditional tibetan village landscapes in Western Sichuan, China (2025)A Decade of Raman Spectroscopy in Art and Archaeology (2007)Development of Chinese barium copper silicate pigments during the Qin Empire based on Raman and polarized light microscopy studies (2014)Characterization of Ancient Chinese Textiles by ultra-high performance liquid chromatography/quadrupole-time of flight mass spectrometry (2017)Spectroscopic investigation and comprehensive analysis of the polychrome clay sculpture of Hua Yan Temple of the Liao Dynasty (2020)The invention of blue and purple pigments in ancient times (2006)Raman spectroscopy for the investigation of carbon‐based black pigments (2015)Raman spectroscopy of minerals and mineral pigments in archaeometry (2016)RICE‐PAPER PLANT –TETRAPANAX PAPYRIFER (2010)A Comparative Study on Chinese Architecture in Peninsular Malaysia and Mainland China (2014)Chinese Glass Paintings in Bangkok Monasteries (2016)
this work references cited by second hop

References

  • 1997Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD)992 cited
  • 2004Raman microscopy in archaeological science351 cited
  • 2007Pigment study by Raman microscopy of 23 paintings by the Portuguese artist Henrique Pousão (1859–1884)105 cited
  • 2005Pigment Identification by Spectroscopic Means: Evidence Consistent with the Attribution of the PaintingYoung Woman Seated at a Virginalto Vermeer61 cited
  • 2004Analytical study of traditional decorative materials and techniques used in Ming Dynasty wooden architecture. The case of the Drum Tower in Xi’an, P.R. of China54 cited
  • 2007Three fabricated pigments (Han purple, indigo and emerald green) in ancient Chinese artifacts studied by Raman microscopy, energy‐dispersive X‐ray spectrometry and polarized light microscopy48 cited
  • 2006Pigment identification of colored drawings from Wuying Hall of the Imperial Palace by micro‐Raman spectroscopy and energy dispersive X‐ray spectroscopy34 cited
  • 1992The decorative arts of the China trade: paintings, furnishings and exotic curiosities30 cited
  • 2008Examination of pigments on Thai manuscripts: the first identification of copper citrate30 cited
  • 1999Blue Pigments in South American Painting (1610-1780)22 cited
  • 1989Chinese painting colors: studies of their preparation and application in traditional and modern times18 cited

Cited by

  • 2024How has rural tourism influenced the sustainable development of traditional villages? A systematic literature review147 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

  • 2023Cu and As containing pigments in Zhejiang architecture polychrome paintings: a case study of degradation products of emerald green14 cited