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Los modos del cine documental. Análisis de tres modelos
13 references·0 citing·30 second hop
Los modos del cine documental. Análisis de tres modelos (2020)Los modos del cine documental. Análisis d…The Concise Routledge Encyclopedia of the Documentary Film (2013)The Concise Routledge Encyclo…On Location in Cuba: Street Filmmaking during Times of Transition (2009)On Location in Cuba: Street F…Documentary Film: A Very Short Introduction (2007)Documentary Film: A Very Shor…Documentary Screens: Non-Fiction Film and Television (2004)Documentary Screens: Non-Fict…Documentary Screens (2004)Documentary ScreensRhetoric and Representation in Nonfiction film (1997)Rhetoric and Representation i…Cross-Cultural Filmmaking (1997)Cross-Cultural FilmmakingTheorizing the moving image. (1996)Theorizing the moving image.The Art of Record: A Critical Introduction to Documentary (1996)The Art of Record: A Critical…Archive Fever: A Freudian Impression (1995)Archive Fever: A Freudian Imp…Representing reality: issues and concepts in documentary (1992)Representing reality: issues …Representing Reality (1992)Representing RealityWriting Culture: The Poetics and Politics of Ethnography (1986)Writing Culture: The Poetics …The Presentation of Self in Everyday Life. (1956)Shooting the Family : Transnational Media and Intercultural Values (2005)The Location of Culture (2012)Judging "privileged" Jews: Holocaust ethics, representation, and the "Grey zone" (2014)Re-forming vision. On the governmentality of Griersonian documentary film (2015)Anonymity and Place in Qualitative Inquiry (2000)Videography in marketing and consumer research (2005)Videographic geographies: Using digital video for geographic research (2010)Six Provocations for Big Data (2011)CRITICAL QUESTIONS FOR BIG DATA (2012)Sharing Versus Pseudo-Sharing in Web 2.0 (2014)Beyond “Culture”: Space, Identity, and the Politics of Difference (1992)Identity and interaction: a sociocultural linguistic approach (2005)Metaphor in Pictures and Multimodal Representations (2008)Chapter 2. Non-verbal and multimodal metaphor in a cognitivist framework: Agendas for research (2009)A Multimodal Framework for Analyzing Websites as Cultural Expressions (2012)Between Television and the Audience: Negotiating Representations of Ageing (2003)Appraising Dubbed Conversation (2007)From the Campfire to the Computer: An Epistemology of Multiplicity and the Story Turn in Planning (2010)What is the Avatar? Fiction and Embodiment in Avatar-Based Singleplayer Computer Games (2006)Modes of interactivity: analysing the webdoc (2012)Reframing visual social science: towards a more visual sociology and anthropology (2016)True Lies: Perceptual Realism, Digital Images, and Film Theory (1996)New mediation and direct representation: reconceptualizing representation in the digital age (2005)The Internet and democratic citizenship: theory, practice and policy (2010)Poetry as Social Practice in the First Person Plural: A Dialogue on Documentary Poetics (2010)Mobilizing Knowledge via Documentary Filmmaking — Is the Academy Ready? (2015)Storytelling for Social Change: Leveraging Documentary and Comedy for Public Engagement in Global Poverty (2017)Reality TV in the digital era: a paradox in visual culture? (1999)Key Concepts in Journalism Studies (2005)
this work references cited by second hop

References

  • 1986Writing Culture: The Poetics and Politics of Ethnography6,196 cited
  • 1995Archive Fever: A Freudian Impression3,449 cited
  • 1992Representing reality: issues and concepts in documentary1,609 cited
  • 1996Theorizing the moving image.554 cited
  • 1992Representing Reality412 cited
  • 1997Rhetoric and Representation in Nonfiction film331 cited
  • 1997Cross-Cultural Filmmaking280 cited
  • 2007Documentary Film: A Very Short Introduction229 cited
  • 1996The Art of Record: A Critical Introduction to Documentary214 cited
  • 2004Documentary Screens: Non-Fiction Film and Television80 cited
  • 2004Documentary Screens72 cited
  • 2013The Concise Routledge Encyclopedia of the Documentary Film57 cited
  • 2009On Location in Cuba: Street Filmmaking during Times of Transition26 cited

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