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Two hundred songs that were popular between 1954 and 1968 were examinedfor sexism. Some of the findings were in accord with traditional sex-role expectations, but others were not. Men were described often as being emotional and submissive, while women were almost as active as the men. Several explanations for these findings are given. It is suggested that love songs may serve the function of allowing men to release emotions that are considered unmasculine in our culture. It is also suggested that the strong mutual need of romantic love tends to equalize a relationship.
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