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"BENİM YERİM"DEN "YOK-YERLERE": İSTANBUL'DA GÜNCEL SEYİR DENEYİMİNE DAİR SALON-İÇİ MANZARALAR
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"BENİM YERİM"DEN "YOK-YERLERE": İSTANBUL'DA GÜNCEL SEYİR DENEYİMİNE DAİR SALON-İÇİ MANZARALAR (2020)"BENİM YERİM"DEN "YOK-YERLERE": İSTANBUL'…The Routledge Companion to New Cinema History (2019)The Routledge Companion to Ne…The Death of Cinema (2019)The Death of CinemaSinemaya Gitmek Ve Seyir: Bir Sözlü Tarih Çalışması (2014)Sinemaya Gitmek Ve Seyir: Bir…Mobile Screens : The Visual Regime of Navigation (2012)Mobile Screens : The Visual R…Explorations in New Cinema History (2011)Explorations in New Cinema Hi…Back to the Motherland: the film theatre in the postmedia age (2011)Back to the Motherland: the f…The Virtual Window: From Alberti to Microsoft (2008)The Virtual Window: From Albe…Le cinéma, cet art subtil du rendez-vous (2007)Le cinéma, cet art subtil du …The active audience: spectatorship, social relations and the experience of cinema in India (2002)The active audience: spectato…La question du public. Approche sémio-pragmatique (2000)La question du public. Approc…Cinéphiles, à vos claviers ! Réception, public et cinéma (2000)Cinéphiles, à vos claviers ! …Window shopping: cinema and the postmodern (1993)Window shopping: cinema and t…Window Shopping (1993)Window ShoppingNon-lieux : introduction à une anthropologie de la surmodernité (1992)Non-lieux : introduction à un…The "new" film history (1986)The "new" film historyLe signifiant imaginaire (1975)Le signifiant imaginaireThe specificity of the scientific field and the social conditions of the progress of reason (1975)The Cinema of Attractions Early Film, Its Spectator and the Avant-Garde (1990)Reinventing film studies (2000)Tactile digital ethnography: Researching mobile media through the hand (2015)Small moments in Spatial Big Data: Calculability, authority and interoperability in everyday mobile mapping (2016)The mouse, the screen and the Holocaust witness: Interface aesthetics and moral response (2016)I'd like to buy the world a coke: Consumptionscapes of the “less affluent world” (1996)The Fire of Desire: A Multisited Inquiry into Consumer Passion (2003)The Cinema of Attractions Reloaded (2006)Taking People Apart: Digitised Dissection and the Body at the Border (2009)The Quadruple Object (2011)Cloud geographies (2016)Between War and City (2002)Social theory and religion (2004)Reclaiming Urbanity: Indeterminate Spaces, Informal Actors and Urban Agenda Setting (2005)Configuring Reception (2004)Embodying experience (2006)The Globalization of Bollywood: An Ethnography of Non-Elite Audiences in India (2007)The Cinematic Apparatus (1981)The Cambridge History of Literary Criticism (1995)Mortal Ethics: Reading Levinas with the Dardenne Brothers (2007)Film, cinema and reception studies (2018)Adana Sinema Tarihinden Kadınların Seyir Deneyimine Dair Fragmanlar (2019)Çukurova’da 1960-1980 Dönemi Sinema Pratiklerinin Özel Bir Örneği: Yörük Filmleri (2019)Postfeminist Television Criticism: Rehabilitating Critical Terms and Identifying Postfeminist Attributes (2001)Notes to self: the visual culture of selfies in the age of social media (2015)In the Ruins of the Image (2007)STRUCTURAL FILM: (2008)The Inevitability of Teleology: From le Dispositif to Apparatus Theory to Dispositifs Plural (2014)Transnational audiences: geocultural approaches (2013)New cinema history and the comparative mode (2016)Memories of cinemagoing and film experience: An introduction (2017)
this work references cited by second hop

References

  • 1993Window Shopping822 cited
  • 1993Window shopping: cinema and the postmodern607 cited
  • 1992Non-lieux : introduction à une anthropologie de la surmodernité369 cited
  • 2008The Virtual Window: From Alberti to Microsoft300 cited
  • 1975Le signifiant imaginaire281 cited
  • 2011Explorations in New Cinema History182 cited
  • 2019The Death of Cinema116 cited
  • 2002The active audience: spectatorship, social relations and the experience of cinema in India115 cited
  • 2012Mobile Screens : The Visual Regime of Navigation89 cited
  • 2019The Routledge Companion to New Cinema History86 cited
  • 2000La question du public. Approche sémio-pragmatique69 cited
  • 2011Back to the Motherland: the film theatre in the postmedia age57 cited
  • 1986The "new" film history56 cited
  • 2000Cinéphiles, à vos claviers ! Réception, public et cinéma47 cited
  • 2014Sinemaya Gitmek Ve Seyir: Bir Sözlü Tarih Çalışması30 cited
  • 2007Le cinéma, cet art subtil du rendez-vous27 cited

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