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From Silk to Digital Technologies: A Gateway to New Opportunities for Creative Industries, Traditional Crafts and Designers. The SILKNOW Case
16 references·16 citing·44 second hopsampled
From Silk to Digital Technologies: A Gateway to New Opportunities for Creative Industries, Traditional Crafts and Designers. The SILKNOW Case (2020)From Silk to Digital Technologies: A Gate…The Cultural Industries (2019)The Cultural IndustriesTourism gentrification (2018)Tourism gentrificationComparing creative industries in Europe (2014)Comparing creative industries…Gentrification (2013)GentrificationThe importance of creative industry agglomerations in explaining the wealth of European Regions (2012)The importance of creative in…Creative Industries and Innovation in Europe (2012)Creative Industries and Innov…The role of technologies in cultural mediation in museums: an Actor-Network Theory view applied in France (2011)The role of technologies in c…The Geography of the Italian Creative Economy: The Special Role of the Design and Craft-based Industries (2011)The Geography of the Italian …Creative Industries after the First Decade of Debate (2010)Creative Industries after the…The role of creative industries in industrial innovation (2009)The role of creative industri…Measuring creative employment: Implications for innovation policy (2009)Measuring creative employment…Creative industries: a new direction? (2009)Creative industries: a new di…A Handbook of Industrial Districts (2009)A Handbook of Industrial Dist…The Economic Geography of Talent (2002)The Economic Geography of Tal…On the Move: Technology, Mobility, and the Mediation of Social Time and Space (2002)On the Move: Technology, Mobi…The Creative Economy: How People Make Money From Ideas (2001)The Creative Economy: How Peo…The Role of Digital Innovation in Fostering Sustainability: A Lithuanian Comparative Case Study of Public and Private Museums (2025)The Role of Digital Innovatio…The innovation of traditional handicrafts and cultural identity: A multidimensional value analysis using the DEMATEL-ISM method (2025)The innovation of traditional…The Impact of Digitalization on Traditional Handicraft Markets Among the Toraja Community (2025)The Impact of Digitalization …Bridging Creative Industries and Museums: Collaborative Pathways for Sustainable Development (2025)Bridging Creative Industries …Affective Empathic Interaction in Museum Narrative: Interactive Response Between History and Tourists’ Culture (2025)Affective Empathic Interactio…A Review, Analysis, and Roadmap to Support the Short-Term and Long-Term Sustainability of the European Crafts Sector (2025)A Review, Analysis, and Roadm…Threads of Tradition (2024)Threads of TraditionThe Use of Visual Communication Technology in the Cultural Connotation and Design Expression of Traditional Cultural and Creative Products (2024)The Use of Visual Communicati…Symbiosis of Creativity and Sustainability: Modelling the Dynamic Relationship Between Sustainable Development and Cultural and Creative Industries in the EU Countries, Great Britain and Ukraine (2024)Symbiosis of Creativity and S…Handicrafts as cultural creative clusters: a spatial-cultural planning approach for the regeneration of the urban historical fabrics (2024)Handicrafts as cultural creat…Construction of digital creation development model of intangible cultural heritage crafts in China (2024)Construction of digital creat…The nexus between the cultural and creative industries and the Sustainable Development Goals: a network perspective (2023)The nexus between the cultura…A Roadmap for Craft Understanding, Education, Training, and Preservation (2023)A Roadmap for Craft Understan…Traditional Crafts. 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(2010)Three generations of Telework: New ICT s and the (R)evolution from Home Office to Virtual Office (2016)Innovation and Learning: The Two Faces of R & D (1989)Absorptive Capacity: A New Perspective on Learning and Innovation (1990)Open Innovation: The New Imperative for Creating and Profiting from Technology (2003)Entrepreneurial Cognition, Entrepreneurial Orientation and Firm Capability in the Creative Industries (2011)The intrapreneur and innovation in creative firms (2011)Cultural heritage, tourism and regional competitiveness: The Motor Valley cluster (2012)Theorising media as practice (2004)Urban Development and the Politics of a Creative Class: Evidence from a Study of Artists (2006)In the Social Factory? (2008)From Cultural to Creative Industries: Theory, Industry and Policy Implications (2002)Educating for innovation (2006)Die Gesellschaft der Singularitäten (2018)From clusters to cluster-based economic development (2008)How to jump further and catch up? 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References

  • 2001The Creative Economy: How People Make Money From Ideas1,928 cited
  • 2002The Economic Geography of Talent1,188 cited
  • 2019The Cultural Industries1,153 cited
  • 2002On the Move: Technology, Mobility, and the Mediation of Social Time and Space413 cited
  • 2009A Handbook of Industrial Districts410 cited
  • 2018Tourism gentrification303 cited
  • 2010Creative Industries after the First Decade of Debate300 cited
  • 2013Gentrification195 cited
  • 2009The role of creative industries in industrial innovation188 cited
  • 2009Creative industries: a new direction?143 cited
  • 2012The importance of creative industry agglomerations in explaining the wealth of European Regions98 cited
  • 2012Creative Industries and Innovation in Europe96 cited
  • 2014Comparing creative industries in Europe92 cited
  • 2011The Geography of the Italian Creative Economy: The Special Role of the Design and Craft-based Industries83 cited
  • 2009Measuring creative employment: Implications for innovation policy61 cited
  • 2011The role of technologies in cultural mediation in museums: an Actor-Network Theory view applied in France

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43 cited

Cited by

  • 2024Construction of digital creation development model of intangible cultural heritage crafts in China29 cited
  • 2022Traditional Crafts. A Literature Review Focused on Sustainable Development24 cited
  • 2023A Roadmap for Craft Understanding, Education, Training, and Preservation23 cited
  • 2023The nexus between the cultural and creative industries and the Sustainable Development Goals: a network perspective15 cited
  • 2024Handicrafts as cultural creative clusters: a spatial-cultural planning approach for the regeneration of the urban historical fabrics15 cited
  • 2021Mechanism Underlying the Formation of Virtual Agglomeration of Creative Industries: Theoretical Analysis and Empirical Research13 cited
  • 2025A Review, Analysis, and Roadmap to Support the Short-Term and Long-Term Sustainability of the European Crafts Sector12 cited
  • 2022Silk weaving business sustainability as a cultural heritage of Indonesia: a case study in Wajo Regency, South Sulawesi8 cited
  • 2025The innovation of traditional handicrafts and cultural identity: A multidimensional value analysis using the DEMATEL-ISM method6 cited
  • 2025Bridging Creative Industries and Museums: Collaborative Pathways for Sustainable Development6 cited
  • 2024The Use of Visual Communication Technology in the Cultural Connotation and Design Expression of Traditional Cultural and Creative Products5 cited
  • 2024Symbiosis of Creativity and Sustainability: Modelling the Dynamic Relationship Between Sustainable Development and Cultural and Creative Industries in the EU Countries, Great Britain and Ukraine4 cited
  • 2025Affective Empathic Interaction in Museum Narrative: Interactive Response Between History and Tourists’ Culture3 cited
  • 2025The Role of Digital Innovation in Fostering Sustainability: A Lithuanian Comparative Case Study of Public and Private Museums3 cited
  • 2024Threads of Tradition3 cited
  • 2025The Impact of Digitalization on Traditional Handicraft Markets Among the Toraja Community3 cited