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Color degradation mapping of rock art paintings using microfading spectrometry
16 references·0 citing·47 second hop
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References

  • 1999Predicting The Fading of Objects: Identification of Fugitive Colorants Through Direct Nondestructive Lightfastness Measurements96 cited
  • 2010Application of field portable EDXRF spectrometry to analysis of pigments of Levantine rock art60 cited
  • 2014The colours of rock art. Analysis of colour recording and communication systems in rock art research57 cited
  • 2017Identification of plant cells in black pigments of prehistoric Spanish Levantine rock art by means of a multi-analytical approach. A new method for social identity materialization using chaîne opératoire56 cited
  • 2014An approximation to the study of black pigments in Cova Remigia (Castellón, Spain). Technical and cultural assessments of the use of carbon-based black pigments in Spanish Levantine Rock Art43 cited
  • 2015Evaluating conventional and advanced visible image enhancement solutions to produce digital tracings at el Carche rock art shelter38 cited
  • 1984The Kinetics of Fading: Opaque Paint Films Pigmented with Alizarin Lake and Titanium Dioxide37 cited
  • 2018Landmark of the past in the Antequera megalithic landscape: A multi-disciplinary approach to the Matacabras rock art shelter29 cited
  • 2010A survey on the light-fastness properties of organic-based Alaska Native artifacts26 cited
  • 2016A Unique Collection of Palaeolithic Painted Portable Art: Characterization of Red and Yellow Pigments from the Parpalló Cave (Spain)25 cited
  • 2015Documenting the light sensitivity of Spanish Levantine rock art paintings21 cited
  • 2011Non-destructive microfade testing at the National Museum of Australia

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21 cited
  • 1986Determination of the Specific Rate Constant for the Loss of a Yellow Intermediate During the Fading of Alizarin Lake21 cited
  • 2009Analysis of potential direct insolation as a degradation factor of cave paintings in Villar del Humo, Cuenca, Central Spain15 cited
  • 2011Note: Light ageing with simultaneous colorimetry via fibre optics reflection spectrometry14 cited
  • 2001Technological requirements for solutions in the conservation and protection of historic monuments and archaeological remains12 cited
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