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Digital audio technologies have expanded the methodological possibilities for anthropological research. This article explores some of the implications of using podcasting as an anthropological method, specifically an experiment in which interlocutor interviews were regularly published as part of an exploration into digital politics in India. The article uses the reflexive insights garnered from making the series to interrogate the possibilities of interlocutor interview podcasting for anthropology. Further to this, it exploits the interlocutors’ expertise on digital practices to reverse the analytical gaze, asking what their experiences of the digitalising Indian public sphere can teach us about changing academic/anthropological practices, especially regarding the enabling (or not) of new ways of speaking, vocal performances, the possibility for immediate publishing, and celebrations of newness. Building from these critical appraisals, it is suggested that the latent promise of interlocutor interview podcasting lies in the potential to create ‘aural intimacy' and a ‘circulating copresence'.
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Papers that cite the same references — the relational fallback while embeddings are still backfilling.
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