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Landscape, Geopolitics, and National Identity in the Norwegian Thrillers Occupied and Nobel
16 references·1 citing·30 second hop
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References

  • 1998Modernity at Large: Cultural Dimensions of Globalization.18,135 cited
  • 1992The Production of Space9,639 cited
  • 1986Social Formation and Symbolic Landscape2,220 cited
  • 1983The Imaginary Signifier: Psychoanalysis and the Cinema838 cited
  • 2003Reel Bad Arabs: How Hollywood Vilifies a People800 cited
  • 1988SCOPIC REGIMES OF MODERNITY751 cited
  • 1998Geopolitics: Re-Visioning World Politics469 cited
  • 2015Landscape and Power403 cited
  • 2007Landscape and Film154 cited
  • 2005Cinematic Landscapes129 cited
  • 2009Tourists’ landscape perceptions and preferences in a Scandinavian coastal region121 cited
  • 2014Small States and Status Seeking107 cited
  • 2017Locating Nordic Noir104 cited
  • 2009Cinema Wars: Hollywood Film and Politics in the Bush-Cheney Era102 cited
  • 2007Hollywood's Cold War90 cited
  • 2008Hollywood and the Popular Geopolitics of the War on Terror76 cited

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  • 2023

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Anthroposcreens
23 cited