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The annual music charts: the communal musical taste mix in Israel
16 references·0 citing·39 second hop
The annual music charts: the communal musical taste mix in Israel (2020)The annual music charts: the communal mus…Distinction: A Social Critique of the Judgement of Taste* (2018)Distinction: A Social Critiqu…Understanding Popular Music Culture (2016)Understanding Popular Music C…Distinction: A Social Critique of the Judgement of Taste (2013)Distinction: A Social Critiqu…Dialectic of Enlightenment, 2011 (2011)Dialectic of Enlightenment, 2…Music Genres and Corporate Cultures (2010)Music Genres and Corporate Cu…The Popular Music Studies Reader (2005)The Popular Music Studies Rea…The Production of Culture Perspective (2004)The Production of Culture Per…Music and the Global Order (2004)Music and the Global OrderBeyond Cultural Imperialism: Cultural Theory, Christian Missions, and Global Modernity (2002)Beyond Cultural Imperialism: …Commercial radio: Serving UK communities (2000)Commercial radio: Serving UK …Cultural Theory and Popular Culture: A Reader (1994)Cultural Theory and Popular C…Innovation and Diversity in the Popular Music Industry, 1969 to 1990 (1992)Innovation and Diversity in t…An Intermediary Between Production and Consumption: The Producer of Popular Music (1989)An Intermediary Between Produ…Popular Music and Communication. (1988)Popular Music and Communicati…Television: Polysemy and popularity (1986)Television: Polysemy and popu…Cycles in Symbol Production: The Case of Popular Music (1975)Cycles in Symbol Production: …Marxism and the philosophy of language (1973)Culture, Media, Language (1982)The problem of hegemony: Rereading Gramsci for organizational communication studies (1997)FEAR, TV NEWS, AND THE REALITY OF CRIME* (2000)Culture, Media, Language (2003)Media coverage of police misconduct and attitudes toward police (2006)The Black Atlantic: Modernity and Double Consciousness (1994)Music and the racial imagination (2000)The Anthropology of Globalization: A Reader (2002)Sonic Transculturation, Epistemologies of Purification and the Aural Public Sphere in Latin America (2006)Music and globalization: critical encounters (2012)Race, Ethnicity, and Cultural Production (2013)The Social Construction of Reality (1967)The Iron Cage Revisited: Institutional Isomorphism and Collective Rationality in Organizational Fields (1983)The iron cage revisited institutional isomorphism and collective rationality in organizational fields (2004)Problems in comparative research: The example of omnivorousness (2005)Bourdieu, the media and cultural production (2006)Class Advantage, Commitment Penalty (2016)The Structure of Scientific Revolutions (1963)MANAGEMENT FASHION (1996)Capitalism, Socialism and Democracy (1997)The Cultural Economy of Cities (1997)Why the Microbrewery Movement? Organizational Dynamics of Resource Partitioning in the U.S. Brewing Industry (2000)Why 1955? Explaining the advent of rock music (1990)When Market Information Constitutes Fields: Sensemaking of Markets in the Commercial Music Industry (2000)SPORT, MASCULINITY, AND BLACK CULTURAL RESISTANCE (1998)Do you identify as a gamer? Gender, race, sexuality, and gamer identity (2011)Applying institutional theories to managing megaprojects (2017)Talking science: language, learning, and values (1991)What Is Agency? (1998)The Field behind the Screen: Using Netnography for Marketing Research in Online Communities (2002)THE WORK OF CULTURAL INTERMEDIARIES AND THE ENDURING DISTANCE BETWEEN PRODUCTION AND CONSUMPTION (2002)Managing visibility on YouTube through algorithmic gossip (2019)The Globalisation of Positional Competition? (2000)Professionalism as Symbolic Capital: Materials for a Bourdieusian Theory of Professionalism (2011)Norms: An Integrated Framework (2020)Theorizing Resistance in Organization Studies (2005)Tourism, Creativity and Development (2007)A General Theory of Domination and Justice (2010)
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References

  • 2018Distinction: A Social Critique of the Judgement of Taste*20,290 cited
  • 2011Dialectic of Enlightenment, 20112,144 cited
  • 2004The Production of Culture Perspective705 cited
  • 1994Cultural Theory and Popular Culture: A Reader668 cited
  • 1975Cycles in Symbol Production: The Case of Popular Music594 cited
  • 2010Music Genres and Corporate Cultures582 cited
  • 1986Television: Polysemy and popularity362 cited
  • 2013Distinction: A Social Critique of the Judgement of Taste362 cited
  • 1992Innovation and Diversity in the Popular Music Industry, 1969 to 1990337 cited
  • 2004Music and the Global Order327 cited
  • 1988Popular Music and Communication.291 cited
  • 2000Commercial radio: Serving UK communities255 cited
  • 1989An Intermediary Between Production and Consumption: The Producer of Popular Music238 cited
  • 2005The Popular Music Studies Reader190 cited
  • 2002Beyond Cultural Imperialism: Cultural Theory, Christian Missions, and Global Modernity183 cited
  • 2016Understanding Popular Music Culture103 cited

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