SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Film Festivals: Culture, People, and Power on the Global Screen
15 references·7 citing·38 second hop
Film Festivals: Culture, People, and Power on the Global Screen (2011)Film Festivals: Culture, People, and Powe…The Art Cinema as a Mode of Film Practice (2012)The Art Cinema as a Mode of F…The tenth muse: writing about cinema in the modernist period (2008)The tenth muse: writing about…A modern history of Hong Kong (2004)A modern history of Hong KongCities and the Creative Class (2003)Cities and the Creative ClassCinema and desire: feminist Marxism and cultural politics in the work of Dai Jinhua (2003)Cinema and desire: feminist M…Authorship and Film (2002)Authorship and FilmReigniting Japanese Tradition with Hana-Bi (2001)Reigniting Japanese Tradition…The Wretched of the Earth (2000)The Wretched of the EarthThe Films of Michelangelo Antonioni (1998)The Films of Michelangelo Ant…The organizational shaping of collective identity: The case of lesbian and gay film festivals in New York (1996)The organizational shaping of…Discovering Form, Inferring Meaning: New Cinemas and the Film Festival Circuit (1994)Discovering Form, Inferring M…Hong Kong in Chinese History (1993)Hong Kong in Chinese HistoryHabermas and the Public Sphere. (1993)Habermas and the Public Spher…When Old Technologies Were New: Thinking about Electric Communication in the Late Nineteenth Century (1989)When Old Technologies Were Ne…Italian National Cinema 1896–1996 (1896)Italian National Cinema 1896–…Culture-led regeneration based on eventfulness with an emphasis on art festivals (Case Study: the International Film Festival for Children and Youth in the central fabric of Isfahan city, Iran) (2025)Culture-led regeneration base…The disappearance of the working class hero in the New Independent Turkish Cinema: globalization and the politics of festivalism (2023)The disappearance of the work…Iniciativas de educación cinematográfica en los festivales de cine de Iberoamérica (2005 - 2019) (2021)Iniciativas de educación cine…Post Americana: Twenty-First Century Media Globalization (2020)Post Americana: Twenty-First …Exploring international film festivals from a co-evolutionary perspective: the cases of Berlin and Busan compared (2018)Exploring international film …Curatorial Practices for Intersectional Programming (2018)Curatorial Practices for Inte…Supporting art cinema at a time of commercialization: Principles and practices, the case of the International Film Festival Rotterdam (2014)Supporting art cinema at a ti…An Inquiry into the Nature and Causes of the Wealth of Nations (1776)On the mechanics of economic development (1988)Bowling alone (2000)Low-Wage Work in the Wealthy World (2010)Regional resilience: a promising concept to explain differences in regional economic adaptability? (2010)Self-branding, ‘micro-celebrity’ and the rise of Social Media Influencers (2016)Culture in Action: Symbols and Strategies (1986)Social Movement Communities and Cycles of Protest: The Emergence and Maintenance of a Local Women's Movement (1998)The Forms of Capital (2002)The iron cage revisited institutional isomorphism and collective rationality in organizational fields (2004)Identity Work in Social Movements (2008)The nature and scope of festival studies (2010)The Interpretation of Cultures (1974)Postmodernism, or, The cultural logic of late capitalism (1991)Film Festivals : From European Geopolitics to Global Cinephilia (2007)The Cinematographic Unconscious of Slum Voyeurism (2017)The Interpretation of Cultures (2017)Rethinking the canon: the role of film festivals in shaping film history (2020)Unsettling the Coloniality of Being/Power/Truth/Freedom: Towards the Human, After Man, Its Overrepresentation--An Argument (2003)ON THE COLONIALITY OF BEING (2007)Decolonization is not a metaphor (2012)Jean Epstein : Critical Essays and New Translations (2012)The Cambridge History of Modernism (2017)The Empathic Screen (2019)Global Body and Muscle Satisfaction Among College Men in the United States and Hong Kong-China (2010)Evaluating the psychometric properties and factor structure of the general self-efficacy scale in China (2020)Sticky Power (2022)Panacea or Panopticon? (1994)A Sociology of Expectations: Retrospecting Prospects and Prospecting Retrospects (2003)The mobile connection: the cell phone's impact on society (2004)Spatializing States: Toward an Ethnography of Neoliberal Governmentality (2002)Publics and counterpublics (2003)The Internet, Public Spheres, and Political Communication: Dispersion and Deliberation (2005)Films on Ice (2015)Art films foster theory of mind (2021)Unruly Spaces: Gender, Women's Writing and Indigenous Feminism in China (2007)“Just a Slogan” (2010)Mobile intimacies in the queer Sinophone films of Cui Zi'en (2012)
this work references cited by second hop

References

  • 2000The Wretched of the Earth7,493 cited
  • 2003Cities and the Creative Class1,852 cited
  • 1993Habermas and the Public Sphere.1,710 cited
  • 1989When Old Technologies Were New: Thinking about Electric Communication in the Late Nineteenth Century848 cited
  • 2004A modern history of Hong Kong370 cited
  • 2008The tenth muse: writing about cinema in the modernist period216 cited
  • 2003Cinema and desire: feminist Marxism and cultural politics in the work of Dai Jinhua151 cited
  • 1996The organizational shaping of collective identity: The case of lesbian and gay film festivals in New York125 cited
  • 2012The Art Cinema as a Mode of Film Practice123 cited
  • 1994Discovering Form, Inferring Meaning: New Cinemas and the Film Festival Circuit98 cited
  • 1993Hong Kong in Chinese History87 cited
  • 1998The Films of Michelangelo Antonioni81 cited
  • 1896Italian National Cinema 1896–199658 cited
  • 2002Authorship and Film43 cited
  • 2001Reigniting Japanese Tradition with Hana-Bi35 cited

Cited by

  • 2014Supporting art cinema at a time of commercialization: Principles and practices, the case of the International Film Festival Rotterdam

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

74 cited
  • 2020Post Americana: Twenty-First Century Media Globalization10 cited
  • 2021Iniciativas de educación cinematográfica en los festivales de cine de Iberoamérica (2005 - 2019)7 cited
  • 2023The disappearance of the working class hero in the New Independent Turkish Cinema: globalization and the politics of festivalism6 cited
  • 2018Curatorial Practices for Intersectional Programming6 cited
  • 2018Exploring international film festivals from a co-evolutionary perspective: the cases of Berlin and Busan compared5 cited
  • 2025Culture-led regeneration based on eventfulness with an emphasis on art festivals (Case Study: the International Film Festival for Children and Youth in the central fabric of Isfahan city, Iran)4 cited