Authorship and Film

Abstract

Introduction 1. Authorship Studies in Review. The Practice of Authorship David Gerstner, Authorship Approaches Janet Staiger 2. Authorship and Identity in Hollywood. The Auteur Theory, Curtiz and Casablanca Peter Wollen, I Hear Music and There's No One There: Darryl and Irving Write History with Alexander's Ragtime Band George Custen, Stepping Out from Behind the Grand Silhouette: Joan Harrison's Films of the 1940s Christina Lane 3. Authorship and Identity Near and Far from Hollywood: Intentions and Mass Culture. Oscar Micheaux, Identity and Authorship Hugh Bartling, Cundieff's Revision of Masculinity in Film, or, A Hard Man Is Not Necessarily Good to Find Jacqueline Fulmer, John Waters Goes to Hollywood: A Poststructural Authorship Study Walter Metz, Len Lye: Reading with the Body Roger Horrocks, A Lost Man: Willie Varela and the American Avant-Garde Chon Noriega, Grassroots Authors: Collectivity and Construction of Community Video Cindy Hing-Yuk Wong 4. The Author-Function. Reframing the Biographical Legend: Style, European Filmmakers, and the Sideshow Cinema of Tod Browing Matthew Solomon, Robert Stigwood: Production, Author, Text Michael DeAngelis, Making Films Asian-American: Shopping For Fangs and the Discursive Auteur Sarah Projansky and Ken A. Ono

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