SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Authorship and Film
0 references·8 citing·29 second hop
Authorship and Film (2002)Authorship and FilmWhat is this music? Auteur music in the films of Wes Anderson (2013)What is this music? Auteur mu…Shakespeare and World Cinema (2012)Shakespeare and World CinemaFilm Festivals: Culture, People, and Power on the Global Screen (2011)Film Festivals: Culture, Peop…Authors of the Image: Cinematographers Gabriel Figueroa and Gregg Toland (2010)Authors of the Image: Cinemat…Remaking and the Film Trilogy: Whit Stillman's Authorial Triptych (2008)Remaking and the Film Trilogy…Positioning auteur theory in Chinese cinemas studies: intratextuality, intertextuality and paratextuality in the films of Tsai Ming-liang (2007)Positioning auteur theory in …Une histoire sans noms : les femmes et le concept d’auteur dans le cinéma des premiers temps (2006)Une histoire sans noms : les …Technology in Search of an Artist: Questions of Auteurism/Authorship and the Contemporary Cinematic Experience (2006)Technology in Search of an Ar…A cinema without walls: movies and culture after Vietnam (1992)Irony, nihilism and the new American 'smart' film (2002)European Cinema : Face to Face with Hollywood (2005)The Anxiety of Influence: A Theory of Poetry (1974)Gérard Genette Paratexts (1997)Paratexts: Thresholds of Interpretation (1997)Film history: Theory and practice (1985)Streetwalking on a Ruined Map (1993)Cinema and the Invention of Modern Life (1995)Image-Music-Text (1977)Film Art: An Introduction (1979)15. The Death of the Author (2017)Analyzing Stylistic Patterning in Film to Establish the Cinematographer as a Coauthor (2017)Hamlet on the holodeck: the future of narrative in cyberspace (1997)The Language of New Media (2002)Copyright and Collective Authorship: Locating the Authors of Collaborative Work (2019)Habermas and the Public Sphere. (1993)The Wretched of the Earth (2000)Cities and the Creative Class (2003)Supporting art cinema at a time of commercialization: Principles and practices, the case of the International Film Festival Rotterdam (2014)Post Americana: Twenty-First Century Media Globalization (2020)Iniciativas de educación cinematográfica en los festivales de cine de Iberoamérica (2005 - 2019) (2021)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)The consequences of modernity (1990)Modernity at Large: Cultural Dimensions of Globalization. (1998)Global Shakespeares as Methodology (2013)Unheard melodies: narrative film music (1988)Postmodernism, or, The cultural logic of late capitalism (1991)Audio-vision: sound on screen (1994)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2011Film Festivals: Culture, People, and Power on the Global Screen203 cited
  • 2012Shakespeare and World Cinema38 cited
  • 2007Positioning auteur theory in Chinese cinemas studies: intratextuality, intertextuality and paratextuality in the films of Tsai Ming-liang31 cited
  • 2006Technology in Search of an Artist: Questions of Auteurism/Authorship and the Contemporary Cinematic Experience15 cited
  • 2010Authors of the Image: Cinematographers Gabriel Figueroa and Gregg Toland9 cited
  • 2013What is this music? Auteur music in the films of Wes Anderson7 cited
  • 2008Remaking and the Film Trilogy: Whit Stillman's Authorial Triptych5 cited
  • 2006Une histoire sans noms : les femmes et le concept d’auteur dans le cinéma des premiers temps5 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work