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From the streets to the mainstream: popularization of Turkish rap music
16 references·2 citing·44 second hop
From the streets to the mainstream: popularization of Turkish rap music (2020)From the streets to the mainstream: popul…Revenue, access, and engagement via the in-house curated Spotify playlist in Australia (2019)Revenue, access, and engageme…Subculture (2010)SubcultureBerlin–Frankfurt–Istanbul (2009)Berlin–Frankfurt–IstanbulListening to Istanbul: Imagining Place in Turkish Rap Music (2005)Listening to Istanbul: Imagin…‘Living underground is tough’: authenticity and locality in the hip-hop community in Istanbul, Turkey (2005)‘Living underground is tough’…Rap and Race (2003)Rap and RaceAesthetics of diaspora: Contemporary minstrels in Turkish Berlin (2002)Aesthetics of diaspora: Conte…The popular music industry (2001)The popular music industryCartel: Travels of German-Turkish Rap Music (1999)Cartel: Travels of German-Tur…From the margins to mainstream: the political power of hip-hop (1998)From the margins to mainstrea…Popular Culture as Oppositional Culture: Rap as Resistance (1997)Popular Culture as Opposition…Black noise: rap music and black culture in contemporary America (1994)Black noise: rap music and bl…Rap, race and politics (1993)Rap, race and politicsCommercialization of the Rap Music Youth Subculture (1993)Commercialization of the Rap …Orality and technology: Rap music and Afro‐American cultural resistance (1989)Orality and technology: Rap m…Resistance Through Rituals: Youth Subcultures in Post-War Britain (1976)Resistance Through Rituals: Y…TÜRKÇE RAP MÜZİĞİNDE 1990-2025 YILLARI ARASINDA SÖYLEMİN DÖNÜŞÜMÜ (2025)TÜRKÇE RAP MÜZİĞİNDE 1990-202…Türkiye’de Gangster ve Trap Hip Hop Müzik: Yeni Nesil Rap Müziğin “Mahalle”si (2022)Türkiye’de Gangster ve Trap H…Real Punks and Pretenders (1987)Black Noise: Rap Music and Black Culture in Contemporary America. (1995)What’s the Rap About Ecstasy? (2006)Examining the relationship between self-reported mood management and music preferences of Australian teenagers (2014)Music misuse: A review of the personal and collective roles of “problem music” (2014)Orality and Literacy (1982)Cut 'n' Mix: Culture, Identity and Caribbean Music (1989)The Rhetoric of Violence in Rap and Country Music (1993)A Black Counterpublic?: Economic Earthquakes, Racial Agenda(s), and Black Politics (1994)Female Body Image as a Function of Themes in Rap Music Videos: A Content Analysis (2009)There Ain't No Black in the Union Jack (2013)Annual Meeting of the American Political Science Association (1917)Domination and the arts of resistance: hidden transcripts (1991)The Power of Black Music: Interpreting its History from Africa to the United States. (1997)Keepin' it Real (2003)Arabic Hip Hop: Claims of Authenticity and Identity of a New Genre (2007)Globalization in the margins: toward a re-evalution of language and mobility (2014)Club cultures: music, media and subcultural capital (1996)Modernity at Large: Cultural Dimensions of Globalization. (1998)Racial Authenticity in Rap Music and Hip Hop (2008)Pop-Rock Music as Expressive Isomorphism: Blurring the National, the Exotic, and the Cosmopolitan in Popular Music (2011)Gangs and gangsta rap in Chicago: A microscenes perspective (2013)The Discovery of Grounded Theory (2017)Distinction: A Social Critique of the Judgement of Taste. (1985)The Practice of Social Research (1989)Under-represented college students and extracurricular involvement: the effects of various student organizations on academic performance (2008)Shake it, Baby, Shake it: Consumption and the New Gender Relation in Hip-Hop (2011)Distinction: A Social Critique of the Judgement of Taste* (2018)Loving Music Till It Hurts (2019)Resistance and the Problem of Ethnographic Refusal (1995)SUBCULTURES OR NEO‐TRIBES? RETHINKING THE RELATIONSHIP BETWEEN YOUTH, STYLE AND MUSICAL TASTE (1999)Millennial Capitalism: First Thoughts on a Second Coming (2000)Beyond geography's visible worlds: a cultural politics of music (1997)Battle Colors: Race, Sex, and Colonial Soldiery in World War I (1998)Commodity Cultures: The Traffic in Things (1999)‘A Special Kind of City Knowledge’: Innovative Clusters, Tacit Knowledge and the ‘Creative City’ (2004)Superstardom in the US popular music industry revisited (2006)The internet and value co-creation: the case of the popular music industry (2013)Youth and Cultural Practice (2002)The Production of Culture Perspective (2004)‘Insider Research’ in the Study of Youth Cultures (2005)The Whiteness of Nerds: Superstandard English and Racial Markedness (2001)White Means Never Having to Say You're Ethnic (2001)Global Englishes, Rip Slyme, and performativity (2003)
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References

  • 1976Resistance Through Rituals: Youth Subcultures in Post-War Britain2,436 cited
  • 2010Subculture1,268 cited
  • 1994Black noise: rap music and black culture in contemporary America889 cited
  • 1997Popular Culture as Oppositional Culture: Rap as Resistance184 cited
  • 2003Rap and Race111 cited
  • 2001The popular music industry95 cited
  • 2005‘Living underground is tough’: authenticity and locality in the hip-hop community in Istanbul, Turkey89 cited
  • 1998From the margins to mainstream: the political power of hip-hop78 cited
  • 1993Rap, race and politics62 cited
  • 1989Orality and technology: Rap music and Afro‐American cultural resistance61 cited
  • 2002Aesthetics of diaspora: Contemporary minstrels in Turkish Berlin60 cited
  • 2019Revenue, access, and engagement via the in-house curated Spotify playlist in Australia56 cited
  • 1993Commercialization of the Rap Music Youth Subculture55 cited
  • 2009Berlin–Frankfurt–Istanbul21 cited
  • 1999Cartel: Travels of German-Turkish Rap Music12 cited
  • 2005Listening to Istanbul: Imagining Place in Turkish Rap Music

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Cited by

  • 2022Türkiye’de Gangster ve Trap Hip Hop Müzik: Yeni Nesil Rap Müziğin “Mahalle”si4 cited
  • 2025TÜRKÇE RAP MÜZİĞİNDE 1990-2025 YILLARI ARASINDA SÖYLEMİN DÖNÜŞÜMÜ2 cited