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Discovery of Vespasiano Bignami paintings at the National Theatre of Costa Rica through technical photography and UV–Vis spectroscopy
16 references·0 citing·39 second hop
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this work references cited by second hop

References

  • 2014Identification of pigments by multispectral imaging; a flowchart method257 cited
  • 1982Fluorescence of Paint and Varnish Layers (Part III)159 cited
  • 2008Vibrational and electronic properties of painting lakes145 cited
  • 2016Effect of particle size on pigments colour116 cited
  • 2007The use of microspectrofluorimetry for the characterization of lake pigments108 cited
  • 2005Image processing for the analysis and conservation of paintings: opportunities and challenges95 cited
  • 2002Color science in the examination of museum objects: Nondestructive procedures88 cited
  • 2009Application of the Kubelka—Munk Correction for Self-Absorption of Fluorescence Emission in Carmine Lake Paint Layers86 cited
  • 2009Identification of red colorants in van Gogh paintings and ancient Andean textiles by microspectrofluorimetry80 cited
  • 2010Cochineal Red: The Art History of a Color75 cited
  • 2016Application of forensic photography for the detection and mapping of Egyptian blue and madder lake in Hellenistic polychrome terracottas based on their photophysical properties68 cited
  • 2017The identification of lac as a pigment in ancient Greek polychromy - The case of a Hellenistic oinochoe from Canosa di Puglia67 cited
  • 2012Photoluminescence Properties of Zinc Oxide in Paints: A Study of the Effect of Self-Absorption and Passivation60 cited
  • 2007

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Nondestructive Varnish Identification by Ultraviolet Fluorescence Spectroscopy
48 cited
  • 1982Fluorescence of paint and varnish layers (Part 1)42 cited
  • 2018Red and blue colours on 18th–19th century Japanese woodblock prints: In situ analyses by spectrofluorimetry and complementary non-invasive spectroscopic methods41 cited
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