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Vicentino versus Palestrina: A computational investigation of voice leading across changing vocal densities
16 references·0 citing·35 second hop
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References

  • 2001Tone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles366 cited
  • 1962College Music Symposium299 cited
  • 2011A General History of the Science and Practice of Music178 cited
  • 2011A General History of the Science and Practice of Music148 cited
  • 1946The Style of Palestrina and the Dissonance140 cited
  • 1978Studies in musical science in the late Renaissance135 cited
  • 1991Tonal Consonance versus Tonal Fusion in Polyphonic Sonorities81 cited
  • 2015Tactus, Mensuration and Rhythm in Renaissance Music77 cited
  • 2007Hidden Forms in Palestrina's First Book of Four-Voice Motets73 cited
  • 1959L'antica musica : ridotta alla moderna prattica69 cited
  • 1997Ancient music adapted to modern practice63 cited
  • 1939Counterpoint: The Polyphonic Vocal Style of the Sixteenth Century54 cited
  • 1987A Practical Approach to Sixteenth-Century Counterpoint51 cited
  • 2018Thomas Campion’s “Chordal Counterpoint” and Tallis’s Famous Forty-Part Motet40 cited
  • 1989The Avoidance of Inner-Voice Entries: Perceptual Evidence and Musical Practice36 cited
  • 1980

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Studies in Musical Science in the Late Renaissance
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