SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Evolving creative practice: a reflection on working with audience experience in Cardiomorphologies
7 references·0 citing·31 second hop
Evolving creative practice: a reflection on working with audience experience in Cardiomorphologies (2005)Evolving creative practice: a reflection …Where The Action Is (2017)Where The Action IsUnderstanding the experience of interactive art: Iamascope in Beta_space (2005)Understanding the experience …HCI and the arts (2003)HCI and the artsThe Public Availability of Actions and Artefacts (2002)The Public Availability of Ac…Exhibiting Interaction: Conduct and Collaboration in Museums and Galleries (2001)Exhibiting Interaction: Condu…Art and Embodiment: From Aesthetics to Self-Consciousness (1995)Art and Embodiment: From Aest…Biofeedback and the Arts: Results of Early Experiments (1977)Biofeedback and the Arts: Res…The Presentation of Self in Everyday Life. (1956)Handbook of Qualitative Research (1994)Tourism and mobile technology (2003)Re-space-ing place (2006)Playing Mathematical Instruments: Emerging Perceptuomotor Integration With an Interactive Mathematics Exhibit (2013)Distinction: A Social Critique of the Judgement of Taste* (2018)Phenomenology of Perception. (1964)Phenomenology of Perception (1982)Plans and Situated Actions: The Problem of Human-Machine Communication (1990)Conceptualizing the Awareness of Collaboration: A Qualitative Study of a Global Virtual Team (2005)Computer Support for Social Awareness in Flexible Work (2006)The Mind or the Heart? it Depends on the (definition of) Situation (2006)The Creative Process Where the Artist Is Amplified or Superseded by the Computer (1973)Living laboratories for interactive art (2006)An embodied cognition framework for interactive experience (2007)Artist, evaluator and curator: three viewpoints on interactive art, evaluation and audience experience (2009)Manifesto for a digital bauhaus1 (1998)Projected realities (1999)Beyond Productivity: Information, Technology, Innovation, and Creativity (2013)Science vs. science: the complexities of interdisciplinary research (2013)Behind The Scenes at HCI's Turn to the Arts (2015)The Choreographer-Performer Continuum: A Diffraction Tool to Illuminate Authorship in More Than Human Co-Performances (2024)Creating Affective Visualisations for a Physiologically Interactive Artwork (2006)Biosignal-driven Art: Beyond biofeedback (2011)Designing Biofeedback Artworks for Relaxation (2016)An Exploration of High-Risk Leisure Consumption Through Skydiving (1993)The top five reasons for lurking: improving community experiences for everyone (2003)Understanding Lifestyle Sport (2004)Straightening our Perspective: The Logos of the Line (2007)Art as a guaranty of sanity (2014)A Review of Experimental Research on Embodied Creativity: Revisiting the Mind–Body Connection (2019)
this work references cited by second hop

References

  • 2017Where The Action Is608 cited
  • 2001Exhibiting Interaction: Conduct and Collaboration in Museums and Galleries309 cited
  • 2002The Public Availability of Actions and Artefacts135 cited
  • 1995Art and Embodiment: From Aesthetics to Self-Consciousness89 cited
  • 2005Understanding the experience of interactive art: Iamascope in Beta_space65 cited
  • 1977Biofeedback and the Arts: Results of Early Experiments63 cited
  • 2003HCI and the arts29 cited

Cited by

No citing works inside the corpus for this window.

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work