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Between ironic pleasure and exotic nostalgia: audience reception of Thai television dramas among youth in China
13 references·5 citing·38 second hop
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References

  • 1985Watching Dallas: Soap Opera and the Melodramatic Imagination1,556 cited
  • 1990The Export of Meaning: Cross-Cultural Readings of Dallas724 cited
  • 2002Recentering Globalization719 cited
  • 2002Recentering Globalization: Popular Culture and Japanese Transnationalism549 cited
  • 1988Reasons for the US dominance of the international trade in television programmes500 cited
  • 1979The Melodramatic Imagination: Balzac, Henry James, Melodrama, and the Mode of Excess451 cited
  • 1978The Melodramatic Imagination: Balzac, Henry James, Melodrama, and the Mode of Excess235 cited
  • 2010Korean Masculinities and Transcultural Consumption: Yonsama, Rain, Oldboy, K-Pop Idols183 cited
  • 2007Asianizing K‐pop: production, consumption and identification patterns among Thai youth111 cited
  • 2009Transnational Korea: A Critical Assessment of the Korean Wave in Asia and the United States91 cited
  • 2003The Impact of international television: a paradigm shift84 cited
  • 2005The World of Yaoi: The Internet, Censorship and the Global ‘Boys‘ Love’ Fandom65 cited
  • 2008Structure of Identification and Distancing in Watching East Asian Television Drama46 cited

Cited by

  • 2022Inheritance Rights of Women in Makassar Society: A Study of Living Qur’an and its Implications for Islamic Law

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28 cited
  • 2021Hyperreal homoerotic love in a monarchized military conjuncture: a situated view of the Thai Boys’ Love industry23 cited
  • 2024Inter-Asia referencing and orientalist consideration of the transnational fandom of Thai boys’ love drama in Japan14 cited
  • 2023Thai Boys Love drama fandom as a transnational and trans-subcultural contact zone in Japan13 cited
  • 2023The Chinese media narrative of Thailand as a tourist destination after the legalisation of cannabis13 cited