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Chopin's Album Leaves and the Aesthetics of Musical Album Inscription
15 references·7 citing·30 second hop
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References

  • 2001The future of nostalgia1,678 cited
  • 1983A critique of modern textual criticism655 cited
  • 1995The Romantic Generation222 cited
  • 1995Queering the pitch: the new gay and lesbian musicology221 cited
  • 1997Handwriting in America: a cultural history154 cited
  • 2004Motives for allusion: context and content in nineteenth-century music151 cited
  • 1997Chopin at the Boundaries: Sex, History, and Musical Genre130 cited
  • 2009The Century of Bach and Mozart: perspectives on historiography, composition, theory, and performance85 cited
  • 2008Music in Chopin's Warsaw52 cited
  • 2005The virtuoso Liszt44 cited
  • 2005Franz Liszt and the physiognomic ideal in the nineteenth century42 cited
  • 1996Nineteenth-Century Music and the German Romantic Ideology42 cited
  • 1997The Hedgehog: Of Fragments Finished and Unfinished33 cited
  • 2018Musical Borrowing or Curious Coincidence?32 cited
  • 1994VINCENT NOVELLO'S AUTOGRAPH ALBUM: INVENTORY AND COMMENTARY31 cited

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  • 2020Fanny Hensel’s Sechs Lieder, Op. 9

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15 cited
  • 2020Changes of Pace15 cited
  • 2020‘Time Is, Time Was, Time Is Past’15 cited
  • 2020Syntax and Process in the First Movement of Mendelssohn’s Piano Trio, Op. 667 cited
  • 2020Deformed Beauty?4 cited
  • 2020Mendelssohn and Sonata Form3 cited
  • 2020Expansion and Recomposition in Mendelssohn’s Symphonic Sonata Forms3 cited