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Musical Nuances and the Aesthetic Experience of Popular Music Hooks: Theoretical Considerations and Analytical Approaches
13 references·0 citing·41 second hop
Musical Nuances and the Aesthetic Experience of Popular Music Hooks: Theoretical Considerations and Analytical Approaches (2021)Musical Nuances and the Aesthetic Experie…4. Musical Idiosyncrasy and Perspectival Listening (2019)4. Musical Idiosyncrasy and P…(Re)Reading Pop Personae: A Transmedial Approach to Studying the Multiple Construction of Artist Identities (2019)(Re)Reading Pop Personae: A T…Tonal Ambiguity in Popular Music’s Axis Progressions (2017)Tonal Ambiguity in Popular Mu…Fragile, Emergent, and Absent Tonics in Pop and Rock Songs (2017)Fragile, Emergent, and Absent…Top 40 Democracy: The Rival Mainstreams of American Music (2015)Top 40 Democracy: The Rival M…AABA, Refrain, Chorus, Bridge, PreChorus – Songformen und ihre historische Entwicklung (2012)AABA, Refrain, Chorus, Bridge…‘Simply Irresistible’: recurring accent patterns as hooks in mainstream 1980s music (2005)‘Simply Irresistible’: recurr…Popmusik in der Analyse (2003)Popmusik in der AnalyseFive Facets of Musical Expression: A Psychologist's Perspective on Music Performance (2003)Five Facets of Musical Expres…Mainstreaming: from hegemonic centre to global networks (2002)Mainstreaming: from hegemonic…Language, Music, and Mind (1993)Language, Music, and MindFunctional Ambiguity in Musical Structures (1983)Functional Ambiguity in Music…Music as a Temporal Form (1964)Music as a Temporal FormPsychoanalytic Explorations in Art (1953)Theories of perception and the concept of structure (1955)Emotion and Meaning in Music (1961)The application of GTTM on 20th century modal music: Research based on the analysis of Yannis Constantinidis's “44 Greek miniatures for piano” (2010)Ambiguity (2012)Radiohead’s “Pyramid Song” (2013)The Aesthetics of Music (1981)Music Performance Research at the Millennium (2003)Play it again with feeling: Computer feedback in musical communication of emotions. (2006)Musical expression: an observational study of instrumental teaching (2008)Maladaptive and adaptive emotion regulation through music: a behavioral and neuroimaging study of males and females (2015)Cadential processes: The evaded cadence and the “one more time” technique (1992)The so-called ‘flattened seventh’ in rock (1995)Triadic Modal and Pentatonic Patterns in Rock Music (2010)The Harmonic-Bass Divorce in Rock (2019)Double-Tonic Complexes in Rock Music (2020)Style and music: theory, history, and ideology (1990)Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)Classical Form (1998)Triadic patterns across classical and popular music corpora: stylistic conventions, or characteristic idioms? (2021)Tonality (2023)The Presentation of Self in Everyday Life. (1956)Questions of Cultural Identity (1997)Presentation of Self in Everyday Life, the (2008)Creating Spiritual Spaces Through the Music of Arvo Pärt and Ljubica Marić (2022)Digital Flows (2024)Personal Storyworlds (2024)A prescribed alternative mainstream: popular music and canon formation (2006)Have you ever seen theRain? And who’ll stop theRain?: the globalizing project of Korean pop (K‐pop) (2009)Concentration, diversity, and consequences: Privileging independent over major record labels (2018)Prosodic Processes in Language and Music (2006)Consciousness Without Attention (2015)The Attending Mind (2020)Constraint, collaboration and creativity in popular songwriting teams (2012)Drawing listener attention in popular music: Testing five musical features arising from the theory of attention economy (2017)Flow (2019)Algorithmuskulturen (2017)“Check Out the Hook While My DJ Revolves It” (2018)The musical form in rhetorical exchange: Theoretical considerations (1972)The dress room (2014)Influence of music liking on EEG based emotion recognition (2020)
this work references cited by second hop

References

  • 2003Five Facets of Musical Expression: A Psychologist's Perspective on Music Performance254 cited
  • 1993Language, Music, and Mind234 cited
  • 2005‘Simply Irresistible’: recurring accent patterns as hooks in mainstream 1980s music73 cited
  • 2015Top 40 Democracy: The Rival Mainstreams of American Music68 cited
  • 2019(Re)Reading Pop Personae: A Transmedial Approach to Studying the Multiple Construction of Artist Identities66 cited
  • 2017Fragile, Emergent, and Absent Tonics in Pop and Rock Songs63 cited
  • 2002Mainstreaming: from hegemonic centre to global networks59 cited
  • 2017Tonal Ambiguity in Popular Music’s Axis Progressions57 cited
  • 1983Functional Ambiguity in Musical Structures23 cited
  • 1964Music as a Temporal Form19 cited
  • 20194. Musical Idiosyncrasy and Perspectival Listening13 cited
  • 2003Popmusik in der Analyse9 cited
  • 2012AABA, Refrain, Chorus, Bridge, PreChorus – Songformen und ihre historische Entwicklung8 cited

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