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To be or not to be an azo pigment: Chemistry for the preservation of historical β-naphthol reds in cultural heritage

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References

2005Pigment Compendium : A Dictionary and Optical Microscopy of Historical Pigments269 cited
2014Issues in Contemporary Oil Paint99 cited
2008A photochemical study on the blue dye indigo: from solution to ancient Andean textiles96 cited
2018Photochemistry of Artists’ Dyes and Pigments: Towards Better Understanding and Prevention of Colour Change in Works of Art91 cited
2015A multi-analytical study on the photochemical degradation of synthetic organic pigments87 cited
2013Early synthetic dyes – a challenge for tandem mass spectrometry37 cited
2020The identification of synthetic organic red pigments in historical plastics: Developing an in situ analytical protocol based on Raman microscopy23 cited
2014The Delight of Modern Organic Pigment Creations17 cited
2010Lithol red salts : characterization and deterioration17 cited

Cited by

2022Multiscale characterization of shellfish purple and other organic colorants in 20th-century traditional enredos from Oaxaca, Mexico15 cited
2024Physico‐chemical characterisation and light stability of dyes and pigments found in cultural heritage objects: Insights from microfading testing for assessing light fastness9 cited
2022Sensing soluble molecules through SERS substrates in one-step procedure: unrevealing the Meiji woodblock printing materials8 cited
2023Best billiard ball in the 19th century: Composite materials made of celluloid and bone as substitutes for ivory

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8 cited

2024Beyond Artists’ Colors: A Spectral Reference Database for the Identification of β-Naphthol and Triarylcarbonium Colorants by MeV SIMS7 cited

2024A Closer Look at Heritage Systems from Medieval Colors to Modern and Contemporary Artworks6 cited