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Sonic Cyberfeminisms: Introduction
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Sonic Cyberfeminisms: Introduction (2021)Sonic Cyberfeminisms: IntroductionGlitch feminism: a manifesto (2021)Glitch feminism: a manifestoThe Sonic Color Line (2020)The Sonic Color LineRace after technology. Abolitionist tools for the new Jim Code (2020)Race after technology. Abolit…Empowered (2018)EmpoweredAlgorithms of Oppression (2018)Algorithms of OppressionWhiteness and the Ontological Turn in Sound Studies (2017)Whiteness and the Ontological…The Intersectional Internet (2016)The Intersectional Internet#Accelerate:Manifesto for an Accelerationist Politics (2014)#Accelerate:Manifesto for an …The Government of Self and Others (2010)The Government of Self and Ot…Cybertypes (2002)CybertypesRadio voices: American broadcasting, 1922-1952 (1997)Radio voices: American broadc…Modernity and the Hegemony of Vision (1994)Modernity and the Hegemony of…Gender and the musical canon (1994)Gender and the musical canonDowncast Eyes (1993)Downcast EyesFeminine Endings: Music, Gender, and Sexuality (1992)Feminine Endings: Music, Gend…Cybernetics. Or Control and Communication in the Animal and the Machine (1949)Cybernetics. Or Control and C…Handbook of Emotions (1993)Club cultures: music, media and subcultural capital (1996)Music in Everyday Life (2000)Care of the self, resistance and subjectivity under neoliberal governmentalities (2012)Governmentality in accounting and accountability: A case study of embedding sustainability in a supply chain (2012)Neoliberal education? Confronting the slouching beast (2016)Algorithms at Work: The New Contested Terrain of Control (2019)When data is capital: Datafication, accumulation, and extraction (2019)What Do Platforms Do? Understanding the Gig Economy (2020)Data Feminism (2020)Decolonial AI: Decolonial Theory as Sociotechnical Foresight in Artificial Intelligence (2020)Engineering a safer world: systems thinking applied to safety (2012)Paradox Research in Management Science: Looking Back to Move Forward (2016)A digital supply chain twin for managing the disruption risks and resilience in the era of Industry 4.0 (2020)Words, Images, Enemies: Securitization and International Politics (2003)Visibility (2007)The Capitalocene, Part I: on the nature and origins of our ecological crisis (2017)The Amazing Bounce-Backable Woman: Resilience and the Psychological Turn in Neoliberalism (2018)Postfeminism, popular feminism and neoliberal feminism? Sarah Banet-Weiser, Rosalind Gill and Catherine Rottenberg in conversation (2019)‘If the rise of the TikTok dance and e-girl aesthetic has taught us anything, it’s that teenage girls rule the internet right now’: TikTok celebrity, girls and the Coronavirus crisis (2020)Extended Self in a Digital World: Table 1. (2013)A Theoretical Framework for the Critical Posthumanities (2018)What is platform governance? (2019)Reclaiming the chocolate city: Soundscapes of gentrification and resistance in Washington, DC (2020)Ground truth tracings (GTT): On the epistemic limits of machine learning (2023)Sonic colonialities: Listening, dispossession, and the (re)making of Anglo‐European nature (2023)Spectacles of Truth in Classical Greek Philosophy (2004)Entrepreneurial Labor among Cultural Producers: “Cool” Jobs in “Hot” Industries (2005)Visible Identities (2006)
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References

  • 1949Cybernetics. Or Control and Communication in the Animal and the Machine3,590 cited
  • 2018Algorithms of Oppression2,709 cited
  • 2020Race after technology. Abolitionist tools for the new Jim Code1,870 cited
  • 1993Downcast Eyes1,296 cited
  • 2018Empowered992 cited
  • 2010The Government of Self and Others970 cited
  • 1992Feminine Endings: Music, Gender, and Sexuality830 cited
  • 2002Cybertypes714 cited
  • 1994Modernity and the Hegemony of Vision692 cited
  • 2020The Sonic Color Line428 cited
  • 1997Radio voices: American broadcasting, 1922-1952329 cited
  • 2021Glitch feminism: a manifesto287 cited
  • 1994Gender and the musical canon212 cited
  • 2014#Accelerate:Manifesto for an Accelerationist Politics172 cited
  • 2016The Intersectional Internet168 cited
  • 2017Whiteness and the Ontological Turn in Sound Studies146 cited

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