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Abstract Conservators, museologists, and architects make extremely complex decisions capable of affecting the way people perceive monuments. One might give this idea deeper consideration while pondering anastylosis, which should be done in such a way that it is possible to recognize the original and newlyadded elements. The definitions in force do not, however, explain how to make such a distinction. By using eye-tracking research, we can learn how observers look at historic objects that have been reassembled again. By combining the observation of visual behaviours with a survey of people looking at such objects, it is possible to see how the process of classifying what is new and old actually works. This knowledge allows for both a more conscious approach to heritage management process and pro-social design of exhibitions at archaeological sites, museums, and virtual reality.
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Stored only when both papers are in the corpus — 25 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.