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Syntax and Process in the First Movement of Mendelssohn’s Piano Trio, Op. 66
16 references·2 citing·31 second hop
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References

  • 1916THE ELEMENTARY FORMS OF RELIGIOUS LIFE8,361 cited
  • 1999Homo sacer: sovereign power and bare life7,988 cited
  • 1994We Have Never Been Modern7,931 cited
  • 1975Frame Analysis: An Essay on the Organization of Experience.4,537 cited
  • 1967Purity and Danger: An Analysis of Concepts of Pollution and Taboo.2,811 cited
  • 1981Classic Music: Expression, Form, and Style724 cited
  • 1998Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven698 cited
  • 2011The German Historicist Tradition682 cited
  • 1989Nineteenth-century music628 cited
  • 1989The Fate of Reason: German Philosophy from Kant to Fichte.624 cited
  • 1993The imaginary museum of musical works: an essay in the philosophy of music598 cited
  • 2006Elements of sonata theory : norms, types, and deformations in the late eighteenth-century sonata562 cited
  • 1990Style and music: theory, history, and ideology488 cited
  • 1996On Religion: Speeches to its Cultured Despisers485 cited
  • 1991Phrase Rhythm in Tonal Music479 cited
  • 2013The Oxford Handbook of Topic Theory

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435 cited

Cited by

  • 2020Rethinking Sonata Failure: Mendelssohn’s Overture Zum Märchen von der schönen Melusine6 cited
  • 2021Becoming and Beyond: Applying Goethe’s Progressive and Retrogressive Metamorphosis to Fanny Hensel’s Piano Sonatas4 cited