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LAS FIGURAS RUPESTRES PALEOLITICAS DE LA CUEVA DE ALTXERRI (GUIPUZCOA)
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  • 2013New evidence for the presence of reindeer ( R angifer tarandus ) on the I berian P eninsula in the P leistocene: an archaeopalaeontological and chronological reassessment48 cited
  • 2014Chronology of western Pyrenean Paleolithic cave art: A critical examination15 cited
  • 2015La ‘Galería de los Bisontes’: un nuevo sector decorado en la Cueva de Alkerdi (Urdazubi/Urdax, Navarra)13 cited
  • 2017Cussac Cave (Dordogne, France): The role of the rock support in the parietal art distribution, technical choices, and intentional and unintentional marks on the cave walls13 cited
  • 2000Representaciones arcaicas de bisonte en la Región Cantábrica13 cited
  • 2019Humanizing European Paleolithic art: A new visual evidence of human/bird interactions at L’Hort de la Boquera site (Margalef de Montsant, Tarragona, Spain)6 cited
  • 1994El arte rupestre paleolítico en el País Vasco4 cited
  • 2011Un nouveau Saïga pariétal (Grotte du Colombier, Ardèche)2 cited
  • 1986Análisis de la variación formal y la autoría en la iconografía mueble del Magdaleniense Antiguo de Bolinkoba (Vizcaya)1 cited
  • 2002Los animales representados en el arte rupestre de la Península Ibérica. Frecuencias de los mismos Animals represented in Iberian Peninsula cave art. How frenquently are they each represented0 cited
  • 2021Narrativas paleolíticas: Aspectos poco comunes de la puesta en escena0 cited

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