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Art Galleries as Gate Keepers: The Case of the Abstract Expressionists
0 references·16 citing·52 second hop
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  • 2013GLOBALIZATION OF MARKETS FOR CONTEMPORARY ART43 cited
  • 2017How to become a judgment device: valuation practices and the role of auctions in the emerging Chinese art market41 cited
  • 2014Do art galleries stimulate redevelopment?36 cited
  • 2021Art Galleries in Transformation: Is COVID-19 Driving Digitisation?32 cited
  • 2008Marché et hiérarchie26 cited
  • 2019Sustainable Management of Contemporary Art Galleries: A Delphi Survey for the Spanish Art Market22 cited
  • 1982Aesthetics and the Artistic Career: A Study of Anomie in Fine-Art Painting22 cited
  • 1999Distribution of the arts: British arts centres as ‘gatekeepers’ in intersecting cultural production systems18 cited
  • 2018Between the market and noncommercial art institutions: Early career strategies of contemporary artists in emerging art scenes13 cited
  • 2005O mercado de galerias e o comércio de arte moderna: São Paulo e Rio de Janeiro nos anos 1950-196012 cited
  • 2022The Legitimation of Young and Emerging Artists in Digital Platforms: The Case of Saatchi Art10 cited
  • 2020The creation of a global market for Colombian contemporary art through valuation and match-making6 cited
  • 2021Evolution of the territorial field of art in a post-socialist city. Distribution patterns of private contemporary art galleries in Krakow, Poland, between 1989 and 2019

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5 cited
  • 2017Contemporary Music and Its Audience: A Tale of Benevolent Asceticism?3 cited
  • 2021A Spatial History of Independent Art Spaces in Krakow from the 1970s to 20193 cited
  • 1997Who Goes There?: Visual Resources Professionals as Gatekeepers1 cited