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The Illusion of Continuity: Active Perception and the Classical Editing System
16 references·5 citing·28 second hop
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this work references cited by second hop

References

  • 1986Narration in the Fiction Film1,483 cited
  • 1949Film Form: Essays in Film Theory878 cited
  • 1974Film Language: A Semiotics of the Cinema.610 cited
  • 1974Ideological Effects of the Basic Cinematographic Apparatus607 cited
  • 1996Theorizing the moving image.554 cited
  • 1996Post-theory: reconstructing film studies351 cited
  • 1996The reality of illusion: an ecological approach to cognitive film theory254 cited
  • 1974The Tutor-Code of Classical Cinema239 cited
  • 2001In the blink of an eye : a perspective on film editing204 cited
  • 1977Dossier Suture: Cinema and Suture200 cited
  • 2005Moving image theory: ecological considerations147 cited
  • 1973Art, Perception, and Reality96 cited
  • 2009Looking at Movies : An Introduction to Film85 cited
  • 1980Toward a Structural Psychology of Cinema84 cited
  • 2012Cognition and Comprehension61 cited
  • 1993The Discourse of Pictures: Iconicity and Film Studies49 cited

Cited by

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2016
Reducing the transience effect of animations does not (always) lead to better performance in children learning a complex hand procedure
47 cited
  • 2019Sequences in popular cinema generate inconsistent event segmentation30 cited
  • 2014Noter pour ajuster. Le travail de la scripte sur un plateau de tournage14 cited
  • 2012Audiences10 cited
  • 2014Noter pour ajuster. Le travail de la scripte sur un plateau de tournage9 cited