SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Introduction: Nomadism, Fragmentation, and Marginality - The Hong Kong Music Underground in the East Asian Context
16 references·2 citing·37 second hop
Introduction: Nomadism, Fragmentation, and Marginality - The Hong Kong Music Underground in the East Asian Context (2021)Introduction: Nomadism, Fragmentation, an…Experimentalism Otherwise (2019)Experimentalism OtherwiseSounds of the Underground (2016)Sounds of the UndergroundSome Things a Scene Might Be (2014)Some Things a Scene Might BeJapanoise: Music at the Edge of Circulation (2013)Japanoise: Music at the Edge …China with a Cut: Globalisation, Urban Youth and Popular Music (2011)China with a Cut: Globalisati…English in Hong Kong Cantopop: language choice, code‐switching and genre (2009)English in Hong Kong Cantopop…The San Francisco Tape Music Center : 1960s counterculture and the avant-garde (2008)The San Francisco Tape Music …Modern Noise, Fluid Genres: Popular Music in Indonesia, 1997-2001 (2008)Modern Noise, Fluid Genres: P…Borders and Bordering (2006)Borders and BorderingConsolidating the music scenes perspective (2004)Consolidating the music scene…Between globalisation and localisation: a study of Hong Kong popular music (2003)Between globalisation and loc…Post-Punk's attempt to democratise the music industry: the success and failure of Rough Trade (1997)Post-Punk's attempt to democr…Dangerous Tunes: The Politics of Chinese Music in Hong Kong, Taiwan, and the People's Republic of China Since 1949 (1997)Dangerous Tunes: The Politics…Rationalizing Culture (1995)Rationalizing CultureSystems of articulation, logics of change: Communities and scenes in popular music (1991)Systems of articulation, logi…The Illusion of Permanence (1967)The Illusion of PermanenceNegotiating underground status through hybrid visibilities: WeChat event promotion in Shanghai music and performance scenes (2025)Negotiating underground statu…This City Needs Street Music: Practices, Experiences, and Meanings in the Busking Scene of Hong Kong (2023)This City Needs Street Music:…Laboratory Life: The Construction of Scientific Facts (1986)Imaginative Structure of the City (2003)Subcultures, Scenes or Tribes? None of the Above (2005)History as business: Changing dynamics of retailing in Gothenburg’s second-hand market (2018)Memes, scenes and #ELXN2019s: How partisans make memes during elections (2021)Remix’s retreat? Content moderation, copyright law and mashup music (2021)On Record: Rock, Pop and the Written Word (1990)Club cultures: music, media and subcultural capital (1996)All that jazz: The success of jazz musicians in three metropolitan areas (2009)Musical Communities: Rethinking the Collective in Music (2011)‘I Always Remember That Moment’: Peak Music Experiences as Epiphanies (2015)Annals of the Association of American Geographers (1921)Rise of the Network Society: The Information Age: Economy, Society and Culture (1996)Progress in Human Geography (2001)The Enclave Society: Towards a Sociology of Immobility (2007)The International Organization for Migration and the International Government of Borders (2010)Borders and Border Studies (2012)Cycles in Symbol Production: The Case of Popular Music (1975)Concentration and Diversity Revisited: Production Logics and the U.S. Mainstream Recording Market, 1940-1990 (2004)Postmodernism and Punk Subculture: Cultures of Authenticity and Deconstruction (2004)Micro-independent record labels in the UK (2007)INDIE: THE INSTITUTIONAL POLITICS AND AESTHETICS OF A POPULAR MUSIC GENRE (1999)The white woman's burden (1990)Idioms of Madness and Colonial Boundaries: The Case of the European and “Native” Mentally Ill in Early Nineteenth-Century British India (1997)The historiography of British imperial education policy, Part I: India (2005)New Public Management et professions dans l’État : au-delà des oppositions, quelles recompositions ? (2011)The Concept of Professionalism: Professional Work, Professional Practice and Learning (2014)Academic precarity as hierarchical dependence in the Max Planck Society (2016)‘Sound Effects (O.K., Music)’: Steve Reich and the Visual Arts in New York City, 1966–1968 (2014)On the Production of Alternative Music Places: Im-materiality, Labor, and Meaning (2017)Herbert Eimert and the Darmstadt School (2020)Soundscapes: Toward a Sounded Anthropology (2010)Music, Language, and Texts: Sound and Semiotic Ethnography (2012)Multivocality (2020)Records ruin the landscape: John Cage, the sixties, and sound recording (2014)Improvisation and Social Aesthetics (2017)Tape: Or, Rewinding the Phonographic Regime (2017)
this work references cited by second hop

References

  • 1991Systems of articulation, logics of change: Communities and scenes in popular music893 cited
  • 2006Borders and Bordering493 cited
  • 1997Post-Punk's attempt to democratise the music industry: the success and failure of Rough Trade198 cited
  • 1995Rationalizing Culture198 cited
  • 2004Consolidating the music scenes perspective182 cited
  • 1967The Illusion of Permanence176 cited
  • 2008Modern Noise, Fluid Genres: Popular Music in Indonesia, 1997-2001138 cited
  • 2008The San Francisco Tape Music Center : 1960s counterculture and the avant-garde94 cited
  • 2014Some Things a Scene Might Be85 cited
  • 2019Experimentalism Otherwise75 cited
  • 1997Dangerous Tunes: The Politics of Chinese Music in Hong Kong, Taiwan, and the People's Republic of China Since 194968 cited
  • 2003Between globalisation and localisation: a study of Hong Kong popular music64 cited
  • 2011China with a Cut: Globalisation, Urban Youth and Popular Music59 cited
  • 2009English in Hong Kong Cantopop: language choice, code‐switching and genre53 cited
  • 2013Japanoise: Music at the Edge of Circulation50 cited
  • 2016

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

Sounds of the Underground
49 cited

Cited by

  • 2025Negotiating underground status through hybrid visibilities: WeChat event promotion in Shanghai music and performance scenes3 cited
  • 2023This City Needs Street Music: Practices, Experiences, and Meanings in the Busking Scene of Hong Kong2 cited