this work references cited by second hopReferences
- 1984How New York Stole the Idea of Modern Art: Abstract Expressionism, Freedom, and the Cold War411 cited
- 2017Les avant-gardes artistiques, 1918-1945106 cited
- 1999La belle illusion : culture et politique sous le signe du Front populaire, 1935-193892 cited
- 1984How New York Stole the Idea of Modern Art: Abstract Expressionism, Freedom and the Cold War74 cited
- 1975Tarsila, sua obra e seu tempo74 cited
- 1998Heinich, Natalie, Le triple jeu de l’art contemporain. Sociologie des arts plastiques. Les Éditions de Minuit, coll. Paradoxe, Paris, 380 pages50 cited
- 2018Transatlantic Encounters: Latin American Artists in Paris Between the Wars29 cited
Cited by
No citing works inside the corpus for this window.
Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work