SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
On Improvisation, Temporality, and Embodied Experience
0 references·11 citing·37 second hop
On Improvisation, Temporality, and Embodied Experience (2008)On Improvisation, Temporality, and Embodi…Time, Risk and Control in Musical Performance Practices (2025)Time, Risk and Control in Mus…Embodying Dynamical Systems in Music Performance (2023)Embodying Dynamical Systems i…Jazz Standard as Archive (2022)Jazz Standard as ArchiveFree Improvisation as Experience: A pragmatic insight into improvisational gesture (2021)Free Improvisation as Experie…Improvisation, Enaction, and Self-Assessment (2019)Improvisation, Enaction, and …Grooving Heavy, Dancing Drunk: Gustemic Metaphor and Mimetic Polytemporality in Anatolian Greek Music (2019)Grooving Heavy, Dancing Drunk…Storytelling in Jazz Work as Retrospective Collaboration (2017)Storytelling in Jazz Work as …Jazz and the critical potential of heteronomous expressive form (2015)Jazz and the critical potenti…Improvisation and the self-organization of multiple musical bodies (2015)Improvisation and the self-or…L’appréciation esthétique de l’improvisation (2014)L’appréciation esthétique de …Digital Humanities Pedagogy: Practices, Principles and Politics (2012)Digital Humanities Pedagogy: …Categories of Art (1970)Cognitive Processes in Improvisation (1984)Simulating minds: the philosophy, psychology, and neuroscience of mindreading (2006)Understanding Media: The Extensions of Man (1964)Power/Knowledge: Selected Interviews and Other Writings 1972-1977 (1980)A taxonomy for learning, teaching, and assessing : a revision of Bloom's taxonomy of educational objectives (2001)2. What is a Scholarly Digital Edition? (2016)Digital Scholarly Editing (2016)What Was “Close Reading”? (2016)Optimal experience: Psychological studies of flow in consciousness. (1988)Flow: The Psychology of Optimal Experience (1991)Thinking in Jazz (1994)How Radical Is Embodied Creativity? Implications of 4E Approaches for Creativity Research and Teaching (2019)Interpersonal synchrony feels good but impedes self-regulation of affect (2019)Coordination Dynamics: A Foundation for Understanding Social Behavior (2020)Illuminations: Essays and Reflections (1968)The Dialogic Imagination: Four Essays (1981)Democracy and Education. (1917)The reflective practitioner: How professionals think in action (1984)The Soundscape: Our Sonic Environment and the Tuning of the World (1993)Correspondence and improvisation: An autoethnographic exploration of drumming in nature (2023)The Dialogic Imagination: Four Essays (1982)The Authoritarian Personality (2001)Capital: A Critique of Political Economy (2020)The Poetics of Manhood (1985)The Taste of Ethnographic Things (1990)Reassembling the Social (2005)Archaeology of Knowledge (1970)Image-Music-Text (1977)Group creativity: music, theater, collaboration (2003)A Dynamic Systems Approach to the Development of Cognition and Action (1994)A dynamic systems approach to the development of cognition and action (1996)Taming Black Swans: Challenges for Sustainable Strategic Crisis Management: Plenary Session (2021)Music performance as knowledge acquisition: a review and preliminary conceptual framework (2024)THOUGHTS ON IMPROVISATION: A COMPARATIVE APPROACH (1974)Studies in Historical Improvisation (2017)Fantasies of Improvisation (2018)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2015Improvisation and the self-organization of multiple musical bodies142 cited
  • 2012Digital Humanities Pedagogy: Practices, Principles and Politics114 cited
  • 2019Improvisation, Enaction, and Self-Assessment14 cited
  • 2015Jazz and the critical potential of heteronomous expressive form14 cited
  • 2014L’appréciation esthétique de l’improvisation6 cited
  • 2017Storytelling in Jazz Work as Retrospective Collaboration6 cited
  • 2023Embodying Dynamical Systems in Music Performance5 cited
  • 2019Grooving Heavy, Dancing Drunk: Gustemic Metaphor and Mimetic Polytemporality in Anatolian Greek Music5 cited
  • 2025Time, Risk and Control in Musical Performance Practices2 cited
  • 2022Jazz Standard as Archive2 cited
  • 2021Free Improvisation as Experience: A pragmatic insight into improvisational gesture2 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work