SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Folk music quotations and allusions in Latvian composers' neo-romantic symphonic music in the last decades of the 20th century and early 21st century
6 references·0 citing·17 second hop
Folk music quotations and allusions in Latvian composers' neo-romantic symphonic music in the last decades of the 20th century and early 21st century (2020)Folk music quotations and allusions in La…Musical Meaning and Interpretation (2025)Musical Meaning and Interpret…Musical Borrowing or Curious Coincidence? (2018)Musical Borrowing or Curious …Latvian Music History in the Context of 20th-century Modernism and Postmodernism. Some Specific Issues of Local Historiography (2018)Latvian Music History in the …Quotation and cultural meaning in twentieth-century music (2004)Quotation and cultural meanin…Die Musik des 20. Jahrhunderts (1992)Die Musik des 20. JahrhundertsCharles Ives and the Meaning of Quotation in Music (1979)Charles Ives and the Meaning …The Secret Programme of the Lyric Suite. 1 (1977)The Terminology of Borrowing (2019)Chopin's Album Leaves and the Aesthetics of Musical Album Inscription (2020)James MacMillan Studies (2020)Classic Music: Expression, Form, and Style (1981)Style and music: theory, history, and ideology (1990)Simulacra and Simulation (1995)FRAGMENTARY AND MODERATE MODERNISM IN LATVIAN MUSIC HISTORY . (2022)Emotion and Meaning in Music (1957)Musicking: the meanings of performing and listening (1999)Between Enlightenment and Romanticism in Music History:"First Viennese Modernism" and the Delayed Nineteenth Century (2001)Rewriting the past: classicisms of the inter-war period (2004)Musical quotation an outline of the problem (1998)Musical borrowing in hip-hop music : theoretical frameworks and case studies (2010)Cross‐Cultural “Countries”: Covers, Conjuncture, and the Whiff of Nashville inMúsica Sertaneja(Brazilian Commercial Country Music) (2005)Swaying with Schumann: Subjectivity and Tradition in Wolfgang Rihm's 'Fremde Szenen' I-III and Related Scores (2006)Music as Discourse (2008)
this work references cited by second hop

References

  • 2004Quotation and cultural meaning in twentieth-century music172 cited
  • 2018Musical Borrowing or Curious Coincidence?36 cited
  • 1992Die Musik des 20. Jahrhunderts14 cited
  • 1979Charles Ives and the Meaning of Quotation in Music13 cited
  • 2018Latvian Music History in the Context of 20th-century Modernism and Postmodernism. Some Specific Issues of Local Historiography5 cited
  • 2025Musical Meaning and Interpretation5 cited

Cited by

No citing works inside the corpus for this window.

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work