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Algeria is one of the Maghreb countries that lived through French colonialism, a colonialism that left behind a great architectural and urban legacy that adorns Algerian cities and is an integral part of their urban landscape. This legacy consists of a mosaic of architectural styles ranging from neo-classical to buildings of the modern movement through art Deco and neo-Moorish style. The specificity of the neo-Moorish architecture, which is based on its cultural references inspired by the local architecture, has given it a special place among the inhabitants. The public buildings of the neo-Moorish style have become today's important landmarks in Algerian cities. As any form of architecture has a meaning for the users, we tried in the present work, to verify empirically the question of the social representation of the neo-Moorish style in Algeria and the relationship that a local population can maintain with an architectural heritage issued from the colonial period. This is done through a symbolic example, which is the great post office in Algiers. We opted for a qualitative approach carried out in the field with the help of a methodological tool, a questionnaire-based survey. A survey, which, despite these limits in terms of the inhabitant's predisposition and the disparity of points of view between the generations, revealed a collective acceptance and an attribution of multiple heritage values to this legacy. Finally, this will allow us to inscribe this social representation in the logics of institutional heritage.
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