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Cited by

• 1985The market of symbolic goods398 cited
• 1976The Production of Culture221 cited
• 2008The individual and the mixing of genres: Cultural dissonance and self-distinction182 cited
• 2007Photographs and accountability: cracking the codes of an NGO149 cited
• 2008Ville et création artistique. Pour une autre approche de la géographie culturelle82 cited
• 1998The Rules of the Journalistic Field70 cited
• 1984American Art Museums: Sanctuary or Free-For-All?45 cited
• 2006Museums and galleries as performative sites for lifelong learning: constructions, deconstructions and reconstructions of audience positions in museum and gallery education39 cited
• 2014Post-industrious society: Why work time will not disappear for our grandchildren28 cited
• 1987Effects of acquired readership and reviewers' attention on the sales of new literary works20 cited
• 1994Ethnicity in a Museum Case: France's Show‐Window in the Americas18 cited
• 2010Written signage and reading practices of the public in a major fine arts museum15 cited
• 2012Público, o X da questão? A construção de uma agenda de pesquisa sobre os estudos de público no Brasil11 cited
• 2010The Art Institution in a Globalizing World