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Does digitization lead to the homogenization of cultural content?
16 references·1 citing·44 second hop
Does digitization lead to the homogenization of cultural content? (2021)Does digitization lead to the homogenizat…What Makes Popular Culture Popular? Product Features and Optimal Differentiation in Music (2017)What Makes Popular Culture Po…How Digitization Has Created a Golden Age of Music, Movies, Books, and Television (2017)How Digitization Has Created …Changing Their Tune: How Consumers' Adoption of Online Streaming Affects Music Consumption and Discovery (2017)Changing Their Tune: How Cons…Stardom and Talent (2016)Stardom and TalentSearch, Design, and Market Structure (2012)Search, Design, and Market St…Predicting the Present with Google Trends (2012)Predicting the Present with G…How Does Popularity Information Affect Choices? A Field Experiment (2011)How Does Popularity Informati…The Economics of Superstars (2009)The Economics of SuperstarsRisk Ownership in Contract Manufacturing (2007)Risk Ownership in Contract Ma…Experimental Study of Inequality and Unpredictability in an Artificial Cultural Market (2006)Experimental Study of Inequal…Why the music industry may gain from free downloading — The role of sampling (2005)Why the music industry may ga…On the economics and analysis of diversity (1998)On the economics and analysis…Reducing Buyer Search Costs: Implications for Electronic Marketplaces (1997)Reducing Buyer Search Costs: …Innovation and Diversity in the Popular Music Industry, 1969 to 1990 (1992)Innovation and Diversity in t…Monopolistic Competition with Outside Goods (1979)Monopolistic Competition with…Cycles in Symbol Production: The Case of Popular Music (1975)Cycles in Symbol Production: …Alternative payment models in the music streaming market: A comparative approach based on stream-level data (2024)Alternative payment models in…MONOPOLISTIC COMPETITION AND OPTIMUM PRODUCT DIVERSITY (1975)Stability in Competition (1990)Can Relationship Banking Survive Competition? (2000)Micro-Foundations of Urban Agglomeration Economies (2003)Distance, Lending Relationships, and Competition (2005)Some Tests of Specification for Panel Data: Monte Carlo Evidence and an Application to Employment Equations (1991)A Simple Model of Herd Behavior (1992)Firm Strategies in the “Mid Tail” of Platform-Based Retailing (2011)Vocal Minority and Silent Majority: How Do Online Ratings Reflect Population Perceptions of Quality1 (2015)Channel Integration, Sales Dispersion, and Inventory Management (2016)An Economic Theory of Clubs (1965)Hedonic Prices and Implicit Markets: Product Differentiation in Pure Competition (1974)Schooling, Experience, and Earnings (1974)Herd Behavior and Investment (1988)Top Incomes in the Long Run of History (2011)The resource‐based view within the conversation of strategic management (1992)Information Distortion in a Supply Chain: The Bullwhip Effect (1997)Foundations of Inventory Management (2000)Supply Chain Coordination with Revenue-Sharing Contracts: Strengths and Limitations (2005)A Model of Sales. (1980)Electronic markets and electronic hierarchies (1987)Applying the Technology Acceptance Model and Flow Theory to Online Consumer Behavior (2002)Building Effective Online Marketplaces with Institution-Based Trust (2004)Progress in information technology and tourism management: 20 years on and 10 years after the Internet—The state of eTourism research (2008)Processing Fads and Fashions: An Organization-Set Analysis of Cultural Industry Systems (1972)Foundations of social theory (1990)Cumulative Advantage as a Mechanism for Inequality: A Review of Theoretical and Empirical Developments (2006)A 61-million-person experiment in social influence and political mobilization (2012)The spread of low-credibility content by social bots (2018)Bandwagon, Snob, and Veblen Effects in the Theory of Consumers' Demand (1950)Information, Blockbusters and Stars? A Study of the Film Industry (1997)The Power of Stars: Do Star Actors Drive the Success of Movies? (2007)De gustibus non est disputandum (2010)The Structure of Scientific Revolutions (1963)MANAGEMENT FASHION (1996)Capitalism, Socialism and Democracy (1997)The Cultural Economy of Cities (1997)Why the Microbrewery Movement? Organizational Dynamics of Resource Partitioning in the U.S. Brewing Industry (2000)Why 1955? Explaining the advent of rock music (1990)When Market Information Constitutes Fields: Sensemaking of Markets in the Commercial Music Industry (2000)The Production of Culture Perspective (2004)In Search of Attention (2011)Big data in tourism research: A literature review (2018)Text as Data (2019)
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References

  • 1979Monopolistic Competition with Outside Goods2,991 cited
  • 2012Predicting the Present with Google Trends2,353 cited
  • 1997Reducing Buyer Search Costs: Implications for Electronic Marketplaces2,255 cited
  • 2006Experimental Study of Inequality and Unpredictability in an Artificial Cultural Market2,174 cited
  • 2009The Economics of Superstars1,684 cited
  • 2007Risk Ownership in Contract Manufacturing660 cited
  • 1975Cycles in Symbol Production: The Case of Popular Music594 cited
  • 2016Stardom and Talent389 cited
  • 1992Innovation and Diversity in the Popular Music Industry, 1969 to 1990337 cited
  • 2011How Does Popularity Information Affect Choices? A Field Experiment322 cited
  • 2017Changing Their Tune: How Consumers' Adoption of Online Streaming Affects Music Consumption and Discovery320 cited
  • 1998On the economics and analysis of diversity294 cited
  • 2005Why the music industry may gain from free downloading — The role of sampling279 cited
  • 2017What Makes Popular Culture Popular? Product Features and Optimal Differentiation in Music264 cited
  • 2017How Digitization Has Created a Golden Age of Music, Movies, Books, and Television204 cited

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  • 2012Search, Design, and Market Structure192 cited
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    • 2024Alternative payment models in the music streaming market: A comparative approach based on stream-level data16 cited