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Multianalytical Assessment of Armour Paints—The Ageing Characteristics of Historic Drying Oil Varnish Paints for Protection of Steel and Iron Surfaces in Sweden
16 references·1 citing·39 second hop
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References

  • 2008The characterization of commercial artists’ alkyd paints144 cited
  • 2007Analytical Imaging Studies of Cross-Sections of Paintings Affected by Lead Soap Aggregate Formation129 cited
  • 2005Long-Term Chemical and Physical Processes in Oil Paint Films111 cited
  • 2014Issues in Contemporary Oil Paint99 cited
  • 2012Zinc white: a review of zinc oxide pigment properties and implications for stability in oil-based paintings91 cited
  • 2002Identification of non-cross-linked compounds in methanolic extracts of cured and aged linseed oil-based paint films using gas chromatography–mass spectrometry70 cited
  • 2014Modern Oil Paints – Formulations, Organic Additives and Degradation: Some Case Studies68 cited
  • 2013Acrylic copolymer coatings for protection against UV rays67 cited
  • 2015Study of the chemical composition and the mechanical behaviour of 20th century commercial artists' oil paints containing manganese-based pigments60 cited
  • 2010Condition Problems Related to Zinc Oxide Underlayers: Examination of Selected Abstract Expressionist Paintings from the Collection of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution49 cited
  • 2000Natural and accelerated thermal aging of oil paint films40 cited
  • 2019Toward a Complete Molecular Model for the Formation of Metal Soaps in Oil Paints38 cited
  • 2019An insight into the mechanical properties of selected commercial oil and alkyd paint films containing cobalt blue

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37 cited
  • 2006An Investigation of the Fatty Acid Composition of New and Aged Tung Oil31 cited
  • 2020Investigation of modern oil paints through a physico-chemical integrated approach. Emblematic cases from Valencia, Spain27 cited
  • 201120th century artists' oil paints : a chemical-physical survey27 cited
  • Cited by

    • 2021A Comprehensive and Systematic Diagnostic Campaign for a New Acquisition of Contemporary Art—The Case of Natura Morta by Andreina Rosa (1924–2019) at the International Gallery of Modern Art Ca’ Pesaro, Venice8 cited